• Illuminated initial and marginal hybrid and bird., Book of Hours, Use of Sarum ('Hours of Eleanor Worcester')

and blue ground with a three-sided foliate border (f. 15). Small initials (2 lines) in gold on red and blue grounds with foliate extensions into the margins. Small initials (1 line) and line fillers in gold on red and blue

• Miniatures forming a diptych with Adam and Eve and the Annunciation, accompanied by angels and the Marriage of the Virgin in the frame, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome (ends imperfectly)

Large and smaller initials in light pink on gold and red grounds. Small initials and line-fillers in gold on red, blue or brown grounds. Book of Hours, Use of Rome (ends imperfectly) Inscribed 'XXIX D' (f. 1v).Sir Hans Sloane (b.

• Miniatures with the labour of the month and the zodiacal signs for November and December in the Calendar, and John the Evangelist writing the Apocalypse, with his martyrdom in the bas-de-page, at the beginning of the Gospels., Book of Hours, Use of Rome (ends imperfectly)

Large and smaller initials in light pink on gold and red grounds. Small initials and line-fillers in gold on red, blue or brown grounds. Book of Hours, Use of Rome (ends imperfectly) Inscribed 'XXIX D' (f. 1v).Sir Hans Sloane (b.

• Miniature of the Three Holy Women at the Tomb., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Detail of a miniature of the Ascension, with two angels standing below with the Apostles and Mary, who gesture upwards towards Christ., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Decorated initial 'C', in gold on a purple background., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Decorated initial 'D', in gold on a purple background., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Decorated initial 'C' and other lettering in gold., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• 'Champ' initial 'M'(ichi) with foliate and spray decoration at the beginning of Pierre d'Ailly's 'Elucidarium'., A miscellany of historical and scientific texts, including Dudo's 'De moribus et actis primorum Normanniae Ducum', lacking first leaf (ff. 1-57v), William of Jumièges's 'Gesta Normannorum Ducum', redaction A, books 5-7, lacking the first two leaves (ff. 57v-69), Pierre d'Ailly's works, including 'De concordia astronomice veritatis et narrationis historice', imperfect (ff. 163v-181), 'Elucidarium astronomice concordie', imperfect (ff. 181v-203), and Norfolk's 'In artem progressionis' (ff.238v-241)

in colours and gold with foliate and spray decoration (ff. 107v, 181v). Initials in blue with pen-flourished decoration in red. Rubrics in red. Paraphs in blue or red. Circular astrological diagrams in red and ink (ff. 161v, 194v, 203v, 227-228v,

• Miniature of a bishop, possibly Heinrich II of Augsburg, passing the book he has commissioned to Ulrich, patron saint of Augsburg cathedral., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Miniature of the Three Holy Women at the Tomb, facing the decorative incipit page for the text used to celebrate Easter mass, with a decorated initial 'D'(eus)., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Decorated initial 'D'(eus), on the decorative incipit page for the text used to celebrate Easter mass., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Miniature of the Ascension, with two angels standing below with the Apostles and Mary, who gesture upwards towards Christ., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Decorated initial 'C' and other lettering in gold., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Detail of an illuminated initial 'R'(espondens), in red, blue, white and gold colours, with floriate extender, in the book of Job., Bible

initial 'R'(espondens), in red, blue, white and gold colours, with floriate extender, in the book of Job. 14 large historiated initials (ff. 1, 28v, 156v, 168, 169v, 171v, 173, 175v, 242, 262, 265v, 267v, 275, 291). 2 full foliate borders,

• Detail of an illuminated initial 'D', in orange, red, blue, white and gold colours, with foliate extenders., Bible

initial 'D', in orange, red, blue, white and gold colours, with foliate extenders. 14 large historiated initials (ff. 1, 28v, 156v, 168, 169v, 171v, 173, 175v, 242, 262, 265v, 267v, 275, 291). 2 full foliate borders, the second containing historiated

• Decorated initial 'S'(icut) at the beginning of the first text, and birds, oak leaves, acorns and crowned knight in armour in the margins., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany') including the 'Vita Haroldi' (ff. 1-24v); 'De inventione sancte crucis de Waltham' (also known as the 'Waltham Chronicle', ff. 43-62v), part 1; the Voyage of St Brendan (ff. 67-75v)

Smaller red initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical

• Decorated initial 'D'(e) with pen-flourishing including an oak leaf, at the beginning of a list of the relics given to Waltham abbey by Harold and others., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany') including the 'Vita Haroldi' (ff. 1-24v); 'De inventione sancte crucis de Waltham' (also known as the 'Waltham Chronicle', ff. 43-62v), part 1; the Voyage of St Brendan (ff. 67-75v)

Smaller red initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical

• Decorated initials with pen-flourishing in the 'Waltham Chronicle'., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany') including the 'Vita Haroldi' (ff. 1-24v); 'De inventione sancte crucis de Waltham' (also known as the 'Waltham Chronicle', ff. 43-62v), part 1; the Voyage of St Brendan (ff. 67-75v)

Smaller red initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical

• Decorated initial 'C'(um) with pen-flourishing. Arches drawn in the margin, possibly by William Howard in the early 17th century., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany') including the 'Vita Haroldi' (ff. 1-24v); 'De inventione sancte crucis de Waltham' (also known as the 'Waltham Chronicle', ff. 43-62v), part 1; the Voyage of St Brendan (ff. 67-75v)

Smaller red initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical