• Illuminated intial 'A'(rma) and foliate bar border., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Illuminated initial 'O'(ceanu)., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Text page with colophon of Franciscus de Camuciis supplied by Bartolomeo Sanvito in epigraphic captials., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• Detail of Illuminated initial 'O'., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of

• White vine border with a portrait of Horace in a roundel, two putti, an unidentified coat of arms, and a large white vine initial 'M'(ecenas)., Opera

beginning of each book (ff. 15, 24, 40, 49, 60v, 76, 92v, 107v, 115). Numerous initials in alternating red and blue. Rubrics in red. Opera Written in Ferrara in 1461: inscribed: 'Quinti Horatii Flacci, Venusini, Odarum, Sermonum, Epistolarum, Poetrieque carminum

• Decorated initial 'R'(es) at the beginning of William of Malmesbury's Gesta regum Anglorum., Gesta regum Anglorum, imperfect

Gesta regum Anglorum. 1 large red initial with green, red, blue, and brown foliate decoration (f. 1). 6 large initials in red (often oxidised) or green, mostly simple, but some with decoration in the other colour or also with yellow

• Historiated initial 'P'(etrus) of Peter and Paul, in semi-grisaille, with partial foliate borders., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Table of eclipses of the sun., Astronomical Calendar

Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in blue and gold or in black and white, in red roundels (ff. 12v-14). Initials in colours and, at the beginning

• Illuminated initial 'A'(d honorem) at the beginning of John Somer's preface., Astronomical Calendar

Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in blue and gold or in black and white, in red roundels (ff. 12v-14). Initials in colours and, at the beginning

• White vine initial 'M'(undum)., Historia naturalis (index Natural history)

309v, 317v, 326, 336, 346). 5 gold initials on coloured grounds (ff. 1 (x 3), 1v, 2). Alternating initials in blue or red. Rubrics and running headers in red. Historia naturalis (index Natural history) Written for a member of the

• White vine initial 'F'(requenter)., Letters and other texts

(ff. 1, 28, 43v, 59v, 76v, 92, 106, 123, 138v). Alternating initials in red or blue. Rubrics in red. Marginal notes in red. Letters and other texts Written by Pietro Cennini in Florence in 1467: colophon reads, 'Scripsit florentie hoc

• Two coloured initials 'S'(ervo) and 'T'(am) at the beginning of Hugh of Saint-Victor's 'De laude caritatis'., Meditationes vitae Christi (ff. 2-156); De laude caritatis (ff. 156v-160v)

crayon of a face (f. 1*v) and an ?initial (f. 1v).Erased inscription (f. 2, upper margin). Numerous large initials in blue. Text initials with some penwork decoration (ff. 2-109). Descenders and ascenders of letters alongside the writing frame often with

• Three-sided white vine border in colours and gold, inhabited by birds, with the Medici coat of arms in the lower margin, supported by putti, and a white vine initial 'L'(ibros)., Historia naturalis (index Natural history)

309v, 317v, 326, 336, 346). 5 gold initials on coloured grounds (ff. 1 (x 3), 1v, 2). Alternating initials in blue or red. Rubrics and running headers in red. Historia naturalis (index Natural history) Written for a member of the

• Detail of a folio: Incipit: 'ramento capitur cum cetera…' Explicit: 'quinquagenas libras lundens cumi', Historia naturalis (index Natural history)

309v, 317v, 326, 336, 346). 5 gold initials on coloured grounds (ff. 1 (x 3), 1v, 2). Alternating initials in blue or red. Rubrics and running headers in red. Historia naturalis (index Natural history) Written for a member of the

• Miniature of the Crucifixion, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Cross., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Miniature of Pentecost, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Holy Spirit., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Miniature of David in Penitence, decorated initial 'D'(omine), and full border, at the beginning of the Penitential Psalms., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Historiated initial 'I'(n) with Luke painting the Virgin, and partial border, at the beginning of his Gospel., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Historiated initial 'I'(sta) with Apollonia holding tooth, and partial border, at the beginning of her suffrage., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Illuminated initial with penwork decoration, including an added sketch of a king, at the beginning of the Opus qui Candelabrum nominatur; in the lower margin heraldic arms added., Candelabrum, followed by a list of chapters (ff. 77-80)

the Opus qui Candelabrum nominatur; in the lower margin heraldic arms added. 1 large initial in blue with reserved designs and penwork decoration in brown, including an added sketch of a king (f. 1). 7 spaces for large illuminated initials