• Miniature of clerics reading; in the left margin, a skeletal figure holding a shovel; in the lower margin, Job on the dungheap, all set within an architectural frame, at the beginning of the Office of the Dead., Book of Hours, Use of Paris

144v, 145, 145v, 146 x 2). Large decorated foliate initials, in colours and gold. Small initials in gold on brown, blue or red grounds. Line-fillers in colours and gold. Book of Hours, Use of Paris Unidentified owner(s): erased inscriptions (f.

• Detail of illuminated initial and red hearts replacing the word 'cuoere’ ('heart') in the text., 49 love sonnets

fire with raindrops, in the right margin (f. 1). Small initials in gold with red or purple pen-flourishing or in blue with red or purple pen-flourishing or in silver with purple pen-flourishing. 1 small initial in gold with a woman's

• null, Book of Hours, Use of Paris

144v, 145, 145v, 146 x 2). Large decorated foliate initials, in colours and gold. Small initials in gold on brown, blue or red grounds. Line-fillers in colours and gold. Book of Hours, Use of Paris Unidentified owner(s): erased inscriptions (f.

• null, Book of Hours, Use of Paris

144v, 145, 145v, 146 x 2). Large decorated foliate initials, in colours and gold. Small initials in gold on brown, blue or red grounds. Line-fillers in colours and gold. Book of Hours, Use of Paris Unidentified owner(s): erased inscriptions (f.

• null, Book of Hours, Use of Paris

144v, 145, 145v, 146 x 2). Large decorated foliate initials, in colours and gold. Small initials in gold on brown, blue or red grounds. Line-fillers in colours and gold. Book of Hours, Use of Paris Unidentified owner(s): erased inscriptions (f.

• null, Book of Hours, Use of Paris

144v, 145, 145v, 146 x 2). Large decorated foliate initials, in colours and gold. Small initials in gold on brown, blue or red grounds. Line-fillers in colours and gold. Book of Hours, Use of Paris Unidentified owner(s): erased inscriptions (f.

• null, Book of Hours, Use of Paris

144v, 145, 145v, 146 x 2). Large decorated foliate initials, in colours and gold. Small initials in gold on brown, blue or red grounds. Line-fillers in colours and gold. Book of Hours, Use of Paris Unidentified owner(s): erased inscriptions (f.

• null, Book of Hours, Use of Paris

144v, 145, 145v, 146 x 2). Large decorated foliate initials, in colours and gold. Small initials in gold on brown, blue or red grounds. Line-fillers in colours and gold. Book of Hours, Use of Paris Unidentified owner(s): erased inscriptions (f.

• null, Book of Hours, Use of Paris

144v, 145, 145v, 146 x 2). Large decorated foliate initials, in colours and gold. Small initials in gold on brown, blue or red grounds. Line-fillers in colours and gold. Book of Hours, Use of Paris Unidentified owner(s): erased inscriptions (f.

• Decorated initials 'S'(hal) and 'S'(oules) in the fourth book of Sidrak and Bokkus, with inscriptions, possibly 'Thomas Walker Thomas Cowpland, John Bolton, Robert Spynk, Garry Jacson, James Loueden, Thomas Tomson, John Best, Richard Hilborn' in the margin below., Sidrak and Bokkus

Thomas Tomson, John Best, Richard Hilborn' in the margin below. Quire signatures a-z (omitting I, u, w). Large initials in blue with red pen-flourishing, after f. 161. Spaces left for initials (ff. 1-161). Sidrak and Bokkus Thomas Walker, in 1543,

• Text page., Medical miscellany, including an English translation of Gilbertus Anglicus's Compendium medicinae (ff. 63v-151v), imperfect; 'Super lunam' (ff. 179v-181); a zodiacal lunary (ff. 173-179); a gynecological tract (ff. 158-172v); Bernard Goron's De prognosticis (ff. 61-63)

after f. 194.f. 3 is a parchment leaf with text in Latin in a 15th-century hand. Large initial in blue with red penwork decoration (f. 13). Large initials in red, some with penwork decoration. Paraphs in red. Descenders extended, and

• Miniature of Christ as Man of Sorrows., Devotional miscellany

(ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and small illusionistic initials in gold on red or blue grounds. Devotional miscellany Henry Reppes (d. 1558), of Mendham, Suffolk: inscribed by him 'Henry Reppes / Elizabeth Reppes' (his

• Historiated initial 'D'(omine) with the dove of the Holy Spirit., Devotional miscellany

(ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and small illusionistic initials in gold on red or blue grounds. Devotional miscellany Henry Reppes (d. 1558), of Mendham, Suffolk: inscribed by him 'Henry Reppes / Elizabeth Reppes' (his

• Miniature of the dead Christ and Mary., Devotional miscellany

(ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and small illusionistic initials in gold on red or blue grounds. Devotional miscellany Henry Reppes (d. 1558), of Mendham, Suffolk: inscribed by him 'Henry Reppes / Elizabeth Reppes' (his

• Miniature of Christ carrying the cross., Devotional miscellany

(ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and small illusionistic initials in gold on red or blue grounds. Devotional miscellany Henry Reppes (d. 1558), of Mendham, Suffolk: inscribed by him 'Henry Reppes / Elizabeth Reppes' (his

• Miniature of Anne and the Virgin., Devotional miscellany

(ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and small illusionistic initials in gold on red or blue grounds. Devotional miscellany Henry Reppes (d. 1558), of Mendham, Suffolk: inscribed by him 'Henry Reppes / Elizabeth Reppes' (his

• Miniature of the Seven Sorrows of the Virgin., Devotional miscellany

(ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and small illusionistic initials in gold on red or blue grounds. Devotional miscellany Henry Reppes (d. 1558), of Mendham, Suffolk: inscribed by him 'Henry Reppes / Elizabeth Reppes' (his

• Detail of an historiated initial 'D'(e virtute) of an abduction of a woman, at the beginning of the ~De virtute mulierum~ of Plutarch., Moralia, book 3, 19: De virtute mulierum

historiated initials in colours, at the beginning of the text ad the preface (ff. 2, 7). Initials in black on blue grounds, or in gold on red grounds. Moralia, book 3, 19: De virtute mulierum Mary I (b. 1516, d.

• Detail of a miniature of the Carolle (round dance with music) in the garden of Sir Mirth, watched by the narrator of the Roman de la rose, dressed in blue, at the left., Roman de la Rose (index Romance of the Rose)

of Sir Mirth, watched by the narrator of the Roman de la rose, dressed in blue, at the left. The text of this manuscript was copied from a printed edition published at Lyon, probably around 1487 (see Kren and McKendrick

• Miniature of the Carolle (round dance with music) in the garden of Sir Mirth, watched by the narrator of the Roman de la rose, dressed in blue, at the left., Roman de la Rose (index Romance of the Rose)

Mirth, watched by the narrator of the Roman de la rose, dressed in blue, at the left. The text of this manuscript was copied from a printed edition published at Lyon, probably around 1487 (see Kren and McKendrick 2003 no.