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(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed
(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former: in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed
(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed
(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed
(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed
(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed
a Dominican friar kneeling in the foreground and the Shepherds in the background. Cutting from a Dominican manuscript ?A Dominican church, possibly San Domenico in Bologna: kneeling Dominican friars in the present cutting and those formerly in the Holford Collection
at the end Henry Jefferey: inscribed in the 17th century, 'Hennrye Jefferey xxx^s^' (f. 1).John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
a bishop celebrating mass inside a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added
of a bishop by a church, along with the Virgin Mary and an angel. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous
Mary and an angel leading a monk into church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated
Mary leading a bishop and woman away from a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium
two men beating another near a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added
monks, one in the doorway of a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and
abbot and three monks in a church, with a foliate initial 'Q'(uidam), at the beginning of causa 16. Illuminated by the artist of Bibliothèque nationale, lat. 830, a Missal for Paris use, and Giessen, Universitatsbibliothek 945, Justinian's Codex in French,
an altar, illustrating the clerics asking permission to leave their church or canon community and move to a monastery, at the beginning of causa 19. Illuminated by the artist of Bibliothèque nationale, lat. 830, a Missal for Paris use, and
Cathedral, but no certain evidence supports this hypothesis (see discussion Keynes 1985). Humphrey Wanley suggested that it belonged to Christ Church, Canterbury (see 'Antiquæ literaturæ Septentrionalis liber alter', in George Hickes ~Linguarum Vett. Septentrionalium Thesaurus Grammatico-Criticus et Archæologicus~, 2 vols
Cathedral, but no certain evidence supports this hypothesis (see discussion Keynes 1985). Humphrey Wanley suggested that it belonged to Christ Church, Canterbury (see 'Antiquæ literaturæ Septentrionalis liber alter', in George Hickes ~Linguarum Vett. Septentrionalium Thesaurus Grammatico-Criticus et Archæologicus~, 2 vols
Cathedral, but no certain evidence supports this hypothesis (see discussion Keynes 1985). Humphrey Wanley suggested that it belonged to Christ Church, Canterbury (see 'Antiquæ literaturæ Septentrionalis liber alter', in George Hickes ~Linguarum Vett. Septentrionalium Thesaurus Grammatico-Criticus et Archæologicus~, 2 vols