in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London. Musical notation.? Possible instructions to the artist or later notes identifying the subject matter briefly,
of the consecration of the abbey church of S. Mariae de Poplina in 1100, during the reign of Pope Pascal II (reigned 1099 to 1118), (f. 2v). Inscription regarding the consecration of the church of S. Michael de Puplena in
of the consecration of the abbey church of S. Mariae de Poplina in 1100, during the reign of Pope Pascal II (reigned 1099 to 1118), (f. 2v). Inscription regarding the consecration of the church of S. Michael de Puplena in
of the consecration of the abbey church of S. Mariae de Poplina in 1100, during the reign of Pope Pascal II (reigned 1099 to 1118), (f. 2v). Inscription regarding the consecration of the church of S. Michael de Puplena in
of the consecration of the abbey church of S. Mariae de Poplina in 1100, during the reign of Pope Pascal II (reigned 1099 to 1118), (f. 2v). Inscription regarding the consecration of the church of S. Michael de Puplena in
Paul's Church, London. 5 large initials in blue with red pen-flourishing (ff. 1, 2, 9, 10v, 11v). Marginal notations and rubrics in red. Paraphs in red or blue. The Endowment and Orders of Sherington’s Chantry, founded in Saint Paul’s Church,
Church, Canterbury (see f. 2; Gameson 1999 p. 94).Dover Priory, by 14th century: inscribed with its press mark 'D VII' and title (f. 2); included in the 1389 catalogue.John Joscelin [Joscelyn] (b. 1529, d. 1603), Old English scholar and
century (ff. 9, 29v, 62v, 69).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'r' with a title 'Psalteriu[m] s[anc]ti Jeronimi glosatu[m]', 12th century (f. 8) and Christ Church script, 11th century (ff. 197-198, according to Ker, 1957).Thomas Cranmer
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
of a Romanesque church with a rose window by a lake, measuring 100 x 115. On the reverse, partial four-line stave, musical notation and text: '...deficit'. Italian cuttings.The present cuttings are bound in an album with other cuttings and leaves
or blue at the beginning of lines and verses (ff. 60-89). Rubrics in red. Sermons, letters and tracts The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 155 in Patrick Young's 1622 catalogue of the cathedral
Initials in blue. Text in red. Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified) Written in 1644 by Michael, oikonomos, or treasurer of