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British Library Catalogue of Illuminated Manuscripts
Smaller initials in blue with red foliate pen-flourishing. Cartulary of the collegiate church of Edington in Wiltshire, containing charters relating to Romsey abbey in Hampshire The collegiate church of Edington in Wiltshire.William Petty (~formerly~ Fitzmaurice) (b. 1737, d. 1805), 2nd
use of Sarum, with a Calendar (ff. 1-6v), imperfect at the end The parish church of Colwich, Staffordshire: the calendar includes the dedication of the church on 29 May (f. 3; see Legg 1904).? Thomas Parker (d. 1423 ?), prebendary
cathedral priory of Christ Church in Canterbury, Kent: inscribed 'Brut en ffranceys: liber eccl[es]ie [christ]i Cantuarie', in two 15th-century hands (f. 1*v), no. 281 in W. Ingram's 1508 list of books from Christ Church, Canterbury (Christ Church Library, ms. 27;
David's 1509-1522 (see Harper 2007).The Catholic church of St David's, co. Pembroke (see Wright 1972).Inscribed in 1588 by Thomas Huett, Richard Edwards and Thomas Lloyd (f. 3v).Thomas Baker (b. 1656, d. 1740), nonjuring Church of England clergyman and antiquary: his
Initials in blue. Text in red. Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified) Written in 1644 by Michael, oikonomos, or treasurer of
Initials in blue. Text in red. Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified) Written in 1644 by Michael, oikonomos, or treasurer of
de quo Christus natus est de Virgine (ff. 1v-7v); Tract de conceptione Beatae Mariae Virginis (ff. 7v-9), fragmentary The cathedral church of St Mary, Salisbury: listed in its catalogue (see Ker 1964).Added text (ff. 9v-10v).Sir Hans Sloane (b. 1660, d.
scene of men building a church, and two monks carrying a burden on poles. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous
alle . pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and
pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and