• Initial with penwork decoration 'P'(retor)., Speculum monachorum

17th centuries: his name occurs in an English prayer on a stub (between ff. 70-71).John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

• Marginal sketch of the city of Jerusalem., Speculum monachorum

17th centuries: his name occurs in an English prayer on a stub (between ff. 70-71).John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

• Decorated initial 'R'(ex) with pen-flourishing., Baarlam et Josaphat, imperfect

Coloured initials in red or blue. Capitals marked with red. Baarlam et Josaphat, imperfect John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

• Title in display capitals and decorated initial 'P'., Psalter, including Odes (ff. 245-265v) and the fragment of a Euchologion (ff. 266-282)

red. Psalter, including Odes (ff. 245-265v) and the fragment of a Euchologion (ff. 266-282) Conyers Middleton (b. 1683, d. 1750), Church of England clergyman and author, fellow of Trinity College, Cambridge from 1706, head librarian of the University Library at

• Decorated initials 'O[mega]' and line separating the books; title in display capitals., Odyssey

and dated Rome, 10 August 1479 (f. 259).Made for Bartholomaios Chryspianos (f. 259).Conyers Middleton of Cambridge (b. 1683, d. 1750), Church of England clergyman and author: bought from him by Edward Harley on 20 February 1725 (see Wright and Wright

• Initial 'A' with foliate penwork decoration including birds., Catena on the Psalms and Odes

his inscription (f. 665).Stolnic Constantine Cantacuzenos (d. 1716): made for him, his ownership note(f. 13).Edmund Chishull (b. 1671, d. 1733), Church of England clergyman and antiquary: probably received by him in Bucharest in 1702; Latin translation of Psalm 1 preceded

• Miniature of monks singing a requiem, with the celebrant wearing spectacles, decorated initial 'D'(ilexi) and full foliate borders, at the beginning of the Office of the Dead., Book of Hours, Use of Paris

Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Church mass Master of the Salisbury Breviary St Stephen Master of the Bedford Hours Paris France, Central (Paris)

• Coloured initials at the beginning of Psalm 55; text in Greek, Latin and Arabic., Trilingual Psalter

made from the Greek by Abu l-Fath Abd Allah b. al-Fadl b. Abd Allah al-Mutran al-Antakie, deacon of the Melkite church of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red

• Text page with manumissions in Latin and Old English., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Text page with decorated initial 'N'(ovum) and manumissions in lower margin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Text page with manumissions in lower margin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Canon tables., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Canon tables., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Decorated initials 'IN' with 'I' forming interlace pattern border at the beginning of Mark's gospel., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Text page with a sketch of a man's head in profile in the margin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• A frame with five roundels and interlace panels, probably intended for a 'Christ in Majesty' miniature., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Text page with manumissions in Old English and Latin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Miniature of the Deposition and foliate borders, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse

blue pen-flourishing or in blue with red pen-flourishing. Capital letters highlighted in red. Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2. Single leaf which doesn't belong to this manuscript taken out in 1947 and

• Miniature of the Fortress of Faith defended by the fathers of the church, Gregory, Augustine, Jerome, and Ambrose fighting demons, with a full border containing a space for a coat of arms, and an illuminated initial 'A'(pres), at the beginning of book 5., Fortalitium fidei (La forteresse de la foy)

defended by the fathers of the church, Gregory, Augustine, Jerome, and Ambrose fighting demons, with a full border containing a space for a coat of arms, and an illuminated initial 'A'(pres), at the beginning of book 5. In two volumes,