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of a monk entering a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added on
Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo
Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo
Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo
Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo
initial 'D'(ominus) with Pope Gregory the Great, putti, Jerome and another Church father, and the arms of Ferdinand I of Aragon, king of Naples. Vertical catchwords.Ruled in hardpoint.Covers of a previous red leather Harleian binding are pasted inside the present
Miniature of Duke Richard the Fearless supervising the rebuilding of the church of the Abbey of Fecamp, while in the background, a man destroys the old church. The clothing suggest a date somewhere around 1465. 15 half-page miniatures, the first
capitals at the beginning of each line in red. Carmen Paschale; poems Part 1: The Benedictine cathedral priory of Christ Church, Canterbury: (see Temple 1976).Part 2: The abbey of St Remi at Reims: inscribed in a 10th-century hand: 'Lib[er] s[anc]ti
I of Aragon, king of Naples (b. 1424, d. 1494): his arms (f. 10).S. Andrea [? della Valle, the mother church of the Theatines, founded in Rome in 1524]: late-16th century book stamp (entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f.
cardinal, bishops, and other men and women, with the fathers of the church, Gregory, Augustine, Jerome, and Ambrose at its walls and men and women representing vices, with a full border containing a space for a coat of arms, and
the Immaculate Conception in London (founded in 1503): another manuscript suggesting Henry VII's connection with this confraternity is Oxford, Christ Church Ms. 179, containing a petition to the king requesting permission to establish a confraternity for French residents in London
the Immaculate Conception in London (founded in 1503): another manuscript suggesting Henry VII's connection with this confraternity is Oxford, Christ Church Ms. 179, containing a petition to the king requesting permission to establish a confraternity for French residents in London
the Immaculate Conception in London (founded in 1503): another manuscript suggesting Henry VII's connection with this confraternity is Oxford, Christ Church Ms. 179, containing a petition to the king requesting permission to establish a confraternity for French residents in London
wedding of Cleridius and Meliadice at the church door. Included two romances in French, the 'Cleriadus et Meliadice', probably composed in the early 1440s (ff. 1-209v), and 'Historia Apollonii regis Tyri' translated in French as 'La cronique et histoire des
ends 'Say we so alle . pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands,
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
at the windows, surrounded by the fathers of the church, Gregory, Augustine, Jerome, and Ambrose, with a group of women and men. In two volumes, the second volume is Royal 17 F VII.Includes a list of contents (ff. 1-21v).Catchwords written
woman at the centre window, surrounded by the fathers of the church, Gregory, Augustine, Jerome, and Ambrose, with a group of women and one man, on the right and a crowd of attacking Jews on the left; with a full
obits (ff. 13-15v).Gulielmus Swainston: his name inscribed, 17th century (f. 1).George Hickes (b. 1642, d. 1715), bishop of the nonjuring Church of England and antiquary: given by him to Harley (see Harley Catalogue).The Harley Collection, formed by Robert Harley (b.