• Full-page miniature of a church., Account of a journey from Venice to Palestine, Mount Sinai and Egypt

of a church. ff. 151v-155v added texts in different contemporary hands. f. 156 is a thick piece of vellum and was probably used formerly as binding.The paper dated 1449-1453.The text recounts an expedition said to have been made in 1465

• Miniature of a church., Account of a journey from Venice to Palestine, Mount Sinai and Egypt

of a church. ff. 151v-155v added texts in different contemporary hands. f. 156 is a thick piece of vellum and was probably used formerly as binding.The paper dated 1449-1453.The text recounts an expedition said to have been made in 1465

• Calendar page for September, on the left, and for August (bound upside down) on the right., Almanac, with a calendar, and tables for the calculation of eclipses and of the moon's influence

eclipses and of the moon's influence Inscribed with the date 1463 (f. 3).? Thomas Baker (b. 1656, d. 1740), nonjuring Church of England clergyman and antiquary (deprived of his fellowship at St John's, Cambridge in 1717): inscription 'Tho. Baker, Coll.

• null, Almanac, with a calendar, and tables for the calculation of eclipses and of the moon's influence

eclipses and of the moon's influence Inscribed with the date 1463 (f. 3).? Thomas Baker (b. 1656, d. 1740), nonjuring Church of England clergyman and antiquary (deprived of his fellowship at St John's, Cambridge in 1717): inscription 'Tho. Baker, Coll.

• Coloured drawings, of Lot's wife, the Ark, and Egyptian soldiers being drowned in the Red Sea., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Drawing of a dragon, with seven heads in its tail. In Joachim's thought, the seven heads correspond to Herod, Nero, Constantinus, Mohometh, Melsemothus, Saladin, the Antichrist, with Gog, the last Antichrist., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Drawing of Adam and of sacrifices., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Drawings, including of king Saul, the priest Eli, who falls dead after being told that his two sons had been killed and the ark of God taken by the Philistines (1 Samuel 4:17-18); and the destruction of the city of Jerusalem., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Illuminated initial 'H'(istoria) with interlace motifs., Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296)

blue. Rubrics in red. Capitals marked in yellow. Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296) Written in 1457 by Julianus de Viterbo for Guidone Gonzaga (d. 1483): colophon, 'Scripsit Julianus de viterbio

• Detail of an illuminated initial 'H'(istoria) with interlace motifs and a smaller initial with penwork decoration., Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296)

blue. Rubrics in red. Capitals marked in yellow. Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296) Written in 1457 by Julianus de Viterbo for Guidone Gonzaga (d. 1483): colophon, 'Scripsit Julianus de viterbio

• Partial border with a large initial 'C'(um) with a series of faces in profile and thirteen smaller initials with penwork decoration., Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296)

blue. Rubrics in red. Capitals marked in yellow. Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296) Written in 1457 by Julianus de Viterbo for Guidone Gonzaga (d. 1483): colophon, 'Scripsit Julianus de viterbio

• Detail of illuminated initials 'Q'(uatuor) and 'B'(ello) with interlace motifs., Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296)

blue. Rubrics in red. Capitals marked in yellow. Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296) Written in 1457 by Julianus de Viterbo for Guidone Gonzaga (d. 1483): colophon, 'Scripsit Julianus de viterbio

• Illuminated initials 'Q'(uatuor) and 'B'(ello) with interlace motifs., Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296)

blue. Rubrics in red. Capitals marked in yellow. Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296) Written in 1457 by Julianus de Viterbo for Guidone Gonzaga (d. 1483): colophon, 'Scripsit Julianus de viterbio

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2. Single leaf which doesn't belong to this manuscript taken out in 1947 and

• Inhabited foliate initial 'A'(bsenti) with small figures, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum., Repertorium aureum sive lexicon juridicum

Anno m [cccc] quinquagesimo quarto', followed by the initials 'IK' (f. 330).Perhaps written or owned in Mainz, which had a church dedicated to St Alban: with a contemporary or near-contemporary inscription 'Presulis Albani habens ossa que Ruffini / Talis in

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3. Single leaf which doesn't belong to this manuscript taken out in 1947 and

• Inhabited foliate initial 'A'(bsenti) with a seated man and a naked man, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum., Repertorium aureum sive lexicon juridicum

Anno m [cccc] quinquagesimo quarto', followed by the initials 'IK' (f. 330).Perhaps written or owned in Mainz, which had a church dedicated to St Alban: with a contemporary or near-contemporary inscription 'Presulis Albani habens ossa que Ruffini / Talis in

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2., Débat de félicité

of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2. Single leaf which doesn't belong to this manuscript taken out in 1947 and kept separately as Arundel

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3., Débat de félicité

of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3. Single leaf which doesn't belong to this manuscript taken out in 1947 and kept separately as Arundel

• Historiated initial 'Q'(uoniam) with a portrait of Bartholomaeus de S. Concordio and an illuminated initial 'A'(bbas)., Summa Pisana with an index (ff. 222v-226v) (index Summa de casibus conscientiae, Summa Pisanella)

(but effaced) 'Iste liber est ad usum fratrum...comorantium in loco Sancti Salvatoris in monte Sancti Miniato prope Florentiam (f. [i]).The church of San Salvatore d'Ognissante, Florence, offset of an effaced 18th-century ownership inscription: 'Della libreria d'Ognissanti' (f. [i verso]).The Harley