dedicated the work. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic
a rectangular border. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic
Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles
pilgrimage to Rome. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic
or Old English. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic
above the lines. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic
abbey of St Albans; probably copied from a lost manuscript from the Benedictine Cathedral Priory of Holy Trinity or Christ Church, Canterbury which is recorded in the library catalogue that was compiled between 1284-1331, see Montague Rhodes James, ~The Ancient
initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to
in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to him during his lifetime
interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to him during his
outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to him during his lifetime and
in Breton neumes. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic
a full border, with medallions in the corners of personifications of Church and Synagoge in the upper medallions, and two standing men in the lower medallions, perhaps Paul and a prophet, and in the centre of side borders mandorlas with
hand very close to Royal 2 E IV which is of a probable Christ Church, Canterbury origin.Numerous pointing hands and human heads.Catchwords and instructions for running titles. 13 large puzzle initials in red and blue with foliate decoration in green,
with corrections in the hand of Patrick Young, 17th century (ff. 163-165). Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Zoomorphic initial Aldhelm Winchester England, S. (Winchester or Canterbury, Christ Church)
with corrections in the hand of Patrick Young, 17th century (ff. 163-165). Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Zoomorphic initial Aldhelm Winchester England, S. (Winchester or Canterbury, Christ Church)
includes capitula to Enchiridion (ff. i-iiv). According to the unpublished notes of Michael Gullick, written in the Christ Church script, probably by the scribe of Cambridge University Library, Kk.1.17 and Cambridge, Corpus Christi College 274 (ff. i-48).Part 3 includes 'De
Scribe A, working in St Albans; other manuscripts attributed to him are: Oxford, Bodleian Library, Bodley 752 and Oxford, Christ Church 115.Quire signatures. 1 historiated initial of Creation, in colours, at the beginning of book 1 (f. 3). 14 outline
Scribe A, working in St Albans; other manuscripts attributed to him are: Oxford, Bodleian Library, Bodley 752 and Oxford, Christ Church 115. 1 inhabited initial in colours and gold, at the beginning of book 15 (f. 1). 13 outline initials,
Scribe A, working in St Albans; other manuscripts attributed to him are: Oxford, Bodleian Library, Bodley 752 and Oxford, Christ Church 115.Quire signatures. 1 historiated initial of Creation, in colours, at the beginning of book 1 (f. 3). 14 outline