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3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 7888).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page John of Damascus, translated by Burgundio of Pisa England
the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Nativity of the Virgin Master of the Eng. 1 manuscript John Lydgate England England, S. E. (London?)
value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial Master of the Eng. 1 manuscript John Lydgate England England, S. E. (London?)
value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial Master of the Eng. 1 manuscript John Lydgate England England, S. E. (London?)
testimonio bonorum virorum inspexi et iterato decentius in hoc loco coalltum anno gratie m. cc. lix mense maii' (f. 136v).Sir John Cotton (b. 1621, d. 1702), 3rd baronet: inscription that it belonged to him with the date 20 March, 1665
testimonio bonorum virorum inspexi et iterato decentius in hoc loco coalltum anno gratie m. cc. lix mense maii' (f. 136v).Sir John Cotton (b. 1621, d. 1702), 3rd baronet: inscription that it belonged to him with the date 20 March, 1665
Interlace initial 'D'(omino) with animal heads at the beginning of Bede's prologue to the life of Cuthbert, in the form of a letter written to Eadfrith, to whom he dedicated the work. Wormald Type II(b) initials of heads, interlace