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recto-i verso);Abbreviationes chronicorum (ff. 1-48);Imagines historiarum, with a table of contents (ff. 49-136). The text ends with the coronation of John in 1199.According to Stubbs 1876, this manuscript was copied from Lambeth Palace, 8, considered to be the author's own
recto-i verso);Abbreviationes chronicorum (ff. 1-48);Imagines historiarum, with a table of contents (ff. 49-136). The text ends with the coronation of John in 1199.According to Stubbs 1876, this manuscript was copied from Lambeth Palace, 8, considered to be the author's own
Ecclesiasticus, Osee, / Joel, Amos, abdias, Jonas, Micheas, Nahum, Abacuc, Sophonias, / Aggeus, Zacharye, Malachye, Machabees, Matheum, Marc, / Luke, John, Act. Apost., Epist. Ad Romanos 1, ad Cotinth. 2, ad Galat. 1,/ ad Ephes. 1, ad Philipp. 1, ad
Manuscriptorum Bibliothecae Wigorniensis, Made in 1622-1623~, ed. by Ivor Atkins and N. Ker (Cambridge: Cambridge University Press, 1944), no. 309. John Theyer (bap. 1598, d. 1673), antiquary: inscribed with his name 'Ioannes Theyer', with a dated note of 1649 (f.
with in two compartments John the Baptist pointing his disciples to Christ, and the crucifixion of Andrew, full border and bas-de-page scene with Christ calling Andrew and Peter from their fishing-boat. Musical notation.For a large number of images of the
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
'S'(tabat) with two compartments, of John the Baptist pointing his disciples towards Christ, and Andrew being tied upon his cross. Musical notation.For a large number of images of the other part of the manuscript, Verdun, Bibliothèque municipale, ms. 107, see
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
Psalter (Arundel 83 II), with the Virgin Mary, John the Evangelist, and eight other Apostles witnessing the figure of Christ disappearing behind a layer of clouds. Musical notation (the Howard Psalter-Hours). 10 diagrams, in colours and gold (ff. 123v, 125v,
the dove of the Holy Spirit descending upon the Virgin Mary, Peter, and John the Evangelist, as well as the other Apostles. Musical notation (the Howard Psalter-Hours). 10 diagrams, in colours and gold (ff. 123v, 125v, 126, 126v, 127v, 128,