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sceptre, giving the manuscript to the monks of Westminster and John Islip, Abbot of Westminster, with a full bar border with the arms of England. The original chemise binding is of burgundy velvet (outside) and pinkish gold damask (inside). One
crowned sceptre, giving the manuscript to the monks of Westminster and John Islip, Abbot of Westminster. The original chemise binding is of burgundy velvet (outside) and pinkish gold damask (inside). One large tassel remains on the top left corner in
written by John Stowe and others, including the Song of the Lady Bessy, concerning Princess Elizabeth, future wife of Henry VII (ff. 89-100), written by Humphrey Brereton, an extract from Lydgate's Life of Edmund and Fremund (f. 86v) John Stowe,
Veteris Testamenti ex opusculis S. Gregorii, De institutis coenobiorum, Collationes The priory of St. Mary, Sempringham, co. Lincoln, given by John de Glynton, master of the Sempringham Order in 1332: originally with the inscription probably on the original cover, 'ex
Edward I's rights in Scotland (ff.129-37);The Prophecies of Merlin (ff. 137v-139);The letter of Prester John (ff.140v-145);Extracts from the Legenda Aurea of Jacobus de Voragine (ff. 145v-147). Rubrics in red. Initials in red and brown, some decorated with ink drawings of
are a fragment of an indulgence from Clement [VI] to John [Arcber], rector of Ketlebergh [Kettleburgh, co. Suff.], Norwich diocese (see Warner and Gilson 1921).Formerly stitched to f. 8 but now attached to a paper leaf after f. 7 is
or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine priory of St Amphibaldus in
of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to
or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine priory of St Amphibaldus in
or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine priory of St Amphibaldus in
or hybrids, at the beginning of books. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Sanctilogium John Whethamstede, abbot of St. Albans (1420-1440 and 1452-1464), given by him to the Benedictine priory of St Amphibaldus in
of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to
the lion, and a miniature of John, with his symbol, the eagle. Includes the ~Somme le roi~, a manual of moral instruction, composed in 1279-80, at the request of King Philip III of France (1270-1285) by Laurent d'Orleans, the king's
Sheldonian, '1697', but 1698?), II, no. 6612.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, appraised in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 171.Charles
Sheldonian, '1697', but 1698?), II, no. 6612.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, appraised in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 171.Charles
Coloured drawing of the Trinity at the beginning of the text. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church
Coloured drawing of the Original Sin, with Adam and Eve on either side of the tree. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f.
Coloured drawing of God standing before ?Adam. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have
Coloured drawing of the Betrayal with Judas kissing Christ and soldiers standing by. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem
Coloured drawing of Christ before the High Priest Caiaphas. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought