give Judas money (Luke 22:5), Christ sends Peter and John to prepare the passover (Luke 22:8), the Last Supper, the Agony in the Garden, and the Last Judgement in the border. The former 18th-century binding now kept separately as Egerton
initials 'D'(eus): Paul holding a sword; historiated initial 'T'(uere): John the Evangelist holding a chalice and palm branch; historiated initial 'M'(aiestatem): Andrew holds a saltire. The former 18th-century binding now kept separately as Egerton 3277B. 15 very large historiated initials
and an historiated initial 'I'(n) of Saint John the Evangelist, and an eagle standing before the lectern. The former 18th-century binding now kept separately as Egerton 3277B. 15 very large historiated initials with three-sides bar borders in colours and gold
condita' of Livy, translated by Pierre Bersuire (ca. 1290-1362), as 'Les decades de Titus Livius', for John II, King of France, c.1354-c. 1356: 'Cy commence le livre que fist Titus Livius des excellens fais des Rommains, lequel contient trois decades,
Calendar page for January, with marginal scenes, including the water carrier, Aquarius. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts
Double-page with a historiated initial 'A'(d) with a monkey standing on a dog, and full borders, in the Book of Hours. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution
(b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton: acquired by him from the library of John Dee in 1625 (see Watson 1966; Wright 1972). Sir Simonds D’Ewes (d. 1722), 3rd baronet and grandson of the
Miniature of the Flight into Egypt, with an historiated initial 'D'(eus) of a mourner, and a bas-de-page scene of the Entombment of Christ, at the beginning of Vespers in the Hours of the Virgin. The manuscript was severely damaged
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in