Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);
Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);
Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);
in colours and gold with crest and garter (including Henry V (f. 2), emperor Sigismund (f. 3), John, king of Portugal (f. 3v), John, king of Denmark (f. 4), Philip, duke of Burgundy (f. 4v), etc.)). Capitals in gold. Armorial
held by John the Baptist at the foot of the cross, with an inhabited initial 'D'(omine) and a full foliate border including arms. Quaternion with the Gospel Lessons misbound, in the unusual order of Luke (ff. 15-16v), John (ff. 17-18v),
a humanistic hand by Giovanni da Stia. Ownership inscriptions of John Blaxton in the upper and lower margins. For a more detailed list of contents, see ~Catalogue~ 1808.List of contents (f. 177v).Two fragments from the Life of Sertorius found by
for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial Boethius, translated by John Walton England
in the same hand as Johannes Badcock.John Mabancke: his name inscribed in the 16th century (ff. 24v, 25, 70); and 'John Mab' inscribed on a slip from a limp vellum binding mounted on f. 82.Rev. Peter Needham (b. 1682, d.
with interlace patterns at the beginning of Matthew ('L'[iber], f. 10v), Mark ('I'[nitium], f. 46), Luke ('Q'[uoniam], f. 71v), and John ('I'[n], f. 112v). Initials with coloured highlights (ff. 8v, 11, 44, 68v-71, 110v-113). Some initials in red or red
with interlace patterns at the beginning of Matthew ('L'[iber], f. 10v), Mark ('I'[nitium], f. 46), Luke ('Q'[uoniam], f. 71v), and John ('I'[n], f. 112v). Initials with coloured highlights (ff. 8v, 11, 44, 68v-71, 110v-113). Some initials in red or red
gold. Small initials (1-line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Psalter, in the 'Breviary of John the Fearless and Margaret of Bavaria'), Use of Rome (index Breviary of Jean sans Peur) This manuscript (summer portion)
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium