• Detail of a miniature of Aemilia, wife of Scipio Africanus, condoning her husband's affair with a slave., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Seneca and his wife Pompeia Paulina being bled to death., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Faustina, the wife of Marcus Aurelius, with one of her lovers, and a man with an anvil., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Jeanne, queen of Jerusalem and Sicily, receiving gifts from her subjects., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of the Erithrean Sibyl writing, with a partial border and a foliate initial 'E'(rithire), at the beginning of chapter XXI., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature composed of four compartments of Boccaccio presenting the book to Andrea Acciaiuoli and a group of women., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Miniature of John the Baptist, and hybrid creature in the margin., Book of Hours, Use of Sarum

of John the Baptist, and hybrid creature in the margin. 9 full-page miniatures, followed by large historiated initials, with full foliate borders including birds and hybrid figures, in colours and gold (ff. 50v, 60v, 76v, 82v, 86v, 90v, 94v, 98v,

• Coloured initial 'P(ueri novissima hora est)., Sermons on John, I, imperfect at the end

parchment pastedown. Large initials in red (some oxidised). Rubrics in red. Capitals marked in red. Sermons on John, I, imperfect at the end Johannes Vlimmerius (d. 1597), prior of St. Martin's, Louvain from 1559 to 1562: inscriptions recording his gift

• Detail of a miniature of Medea, with Jason on a horse and a slaughter of a child with his sword, at the beginning of chapter 17., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Floriate bar border and initial 'D'(eus) on a gold ground, and smaller gold initials at the beginning of the Hour of Prime., Book of Hours, Use of Le Mans, fragmentary

Psalms, litany, and prayers (ff. 27v-37v); the Office of the Dead, beginning imperfect (ff. 38-54v); extract from the Gospel of John (ff. 54v-55v). Partial floriate bar borders with penwork decoration in gold and colours. Large and small gold initials on

• Illuminated border with flowers and a peacock at the beginning of book 5 of John Lydgate's Troy book., Troy book, imperfect (translated from the Latin of Guido de Columna)

at the beginning of book 5 of John Lydgate's Troy book. 1 full border in colours and gold (f. 1). 4 partial foliate borders and initials in colours and gold, the last two inhabited by a bird and a mask,

• Illuminated border with flowers and a peacock and illuminated initials 'W'(han) and 'S', at the beginning of book 5 of John Lydgate's Troy book., Troy book, imperfect (translated from the Latin of Guido de Columna)

'W'(han) and 'S', at the beginning of book 5 of John Lydgate's Troy book. 1 full border in colours and gold (f. 1). 4 partial foliate borders and initials in colours and gold, the last two inhabited by a bird

• Miniature of John Talbot identified by his white talbot dog, presenting the book to queen Margaret seated in a palace beside king Henry VI, and surrounded by the court, with the royal arms of England at the back of the throne, and banners of England, France, George, and Anjou at the top of the roof; with a full border containing the royal arms of England impaled with the arms of Anjou; the arms of John Talbot, earl of Shrewsbury with the arms of Beauchamp, earls of Warwick in pretence, for his wife, Margaret Beauchamp, surrounded by the Garter, a scroll inscribed with the verses reading 'Mon seul desir / Au Roy et vous / Et bien servir / Jusqu au mourir/ Ce sachent tous / Mon seul desir / Au Roy et vous', and a bunch of daisies, or 'marguerites', referring to Margaret of Anjou., Poems and Romances (the 'Talbot Shrewsbury book')

of John Talbot identified by his white talbot dog, presenting the book to queen Margaret seated in a palace beside king Henry VI, and surrounded by the court, with the royal arms of England at the back of the throne,

• Miniature of John Talbot identified by his Talbot dog, presenting the book to queen Margaret seated in a palace beside king Henry VI, and surrounded by the court, with the royal arms of England at the back of the throne, and banners of England, France, George, and Anjou at the top of the roof; with a full border containing the royal arms of England impaled with the arms of Anjou; the arms of John Talbot, earl of Shrewsbury with the arms of Beauchamp, earls of Warwick in pretence, for his wife, Margaret Beauchamp, surrounded by the Garter, a scroll inscribed with the verses reading 'Mon seul desir / Au Roy et vous / Et bien servir / Jusqu au mourir/ Ce sachent tous / Mon seul desir / Au Roy et vous', and a bunch of daisies, or 'marguerites', referring to Margaret of Anjou. Miniature of the genealogical table of descendants of Louis IX in the form of a fleur-de-lys, with portraits of kings in medallions, supported by Humfrey, duke of Glaucester with his arms and the arms of Anjou encircled by the Garter, and Richard, duke of York with his arms and an initial 'M' encircled by the Garter; the arms of France and of George encircled by the Garter, and a banner bearing the royal arms of England impaled with the arms of Anjou, wrapped with a scroll inscribed with a motto 'Dieu est mon droit', and supported by the royal device of an antelope with a crown and chain., Poems and Romances (the 'Talbot Shrewsbury book')

of John Talbot identified by his Talbot dog, presenting the book to queen Margaret seated in a palace beside king Henry VI, and surrounded by the court, with the royal arms of England at the back of the throne, and

• Miniature of the Funeral service, decorated initial 'D'(ilexi) and foliate borders, at the beginning of the Office of the Dead., Book of Hours, Use of Sarum ('Hours of Eleanor Worcester')

in English by a contemporary professional hand, starting 'This prayer is written in a stone in the church of saint John Lateraneus in rome...'. 23 full-page miniatures with large decorated initials and full foliate borders, some with hybrid figures, animals

• Miniature of the Last Judgement with the patron in prayer, decorated initial 'D'(omine) and foliate borders, at the beginning of the Penitential Psalms., Book of Hours, Use of Sarum ('Hours of Eleanor Worcester')

in English by a contemporary professional hand, starting 'This prayer is written in a stone in the church of saint John Lateraneus in rome...'. 23 full-page miniatures with large decorated initials and full foliate borders, some with hybrid figures, animals

• Miniature of Erasmus, decorated initial 'O' and foliate borders, at the beginning of his suffrage., Book of Hours, Use of Sarum ('Hours of Eleanor Worcester')

in English by a contemporary professional hand, starting 'This prayer is written in a stone in the church of saint John Lateraneus in rome...'. 23 full-page miniatures with large decorated initials and full foliate borders, some with hybrid figures, animals

• Illuminated initial 'D'(eus) and marginal hybrid., Book of Hours, Use of Sarum ('Hours of Eleanor Worcester')

in English by a contemporary professional hand, starting 'This prayer is written in a stone in the church of saint John Lateraneus in rome...'. 23 full-page miniatures with large decorated initials and full foliate borders, some with hybrid figures, animals

• Miniature of the Crucifixion., Book of Hours, Use of Sarum ('Hours of Eleanor Worcester')

in English by a contemporary professional hand, starting 'This prayer is written in a stone in the church of saint John Lateraneus in rome...'. 23 full-page miniatures with large decorated initials and full foliate borders, some with hybrid figures, animals

• Miniature of the Virgin and Child., Book of Hours, Use of Sarum ('Hours of Eleanor Worcester')

in English by a contemporary professional hand, starting 'This prayer is written in a stone in the church of saint John Lateraneus in rome...'. 23 full-page miniatures with large decorated initials and full foliate borders, some with hybrid figures, animals