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Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Ownership inscription John Capgrave, and others Campsey England, S. E. (Campsey)
collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Detail Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)
collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Initials Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)
Miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration of Paradiso, Canto
examined by James and John, with Christ and angels looking on. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large historiated initials,
as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral,
inscribed 'Lib[er] Caroli Theyer' (f. 296v).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 289.Charles
Miniature of the Evangelist John, perhaps with Prochoros, and in the upper margin, and added cock and a donkey, with the inscription "The Holy J(oh)n the Theologian". The conclusions of each section of text are written in geometric shapes.Part of
two columns of text, containing a miniature of John the Baptist preaching, an illuminated initial 'M', an illuminated initial 'I'(n), with partial foliate borders, from the Book of Mark. 14 large historiated initials (ff. 1, 28v, 156v, 168, 169v, 171v,
between two columns of text, containing a miniature of John the Baptist preaching, from the Book of Mark. 14 large historiated initials (ff. 1, 28v, 156v, 168, 169v, 171v, 173, 175v, 242, 262, 265v, 267v, 275, 291). 2 full foliate
Detail of a miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration
Dante being examined by James and John, with Christ and angels looking on. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large
watching as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence
d[omi]n[u]m/ Humfredum Gloucestrix Ducem d[omi]n[u]m suu[m] singularissimu[m] / Locutores Athanasius, Arius et c'; with an inscription identifying the text by John Theyer. The texts include: Contra gentes, De incarnatione verbi, De unitate substantiae deitatis dialogus, as well as a selection
c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the
c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the
chapel of St Giles near Brompton-on-Swale, but now belongs to the chantry of St Giles in the chapel of St John the Evangelist at Ravensworth castle. Musical notation, on four-line red staves (ff. 89-136). Including a calendar (ff. 4-9v), the
note on the contents, beginning 'Liber sancti edmundi in quo continentur', c. 1375 (f. 1).? Possibly notes of 'the librarian', John of Boston 'Boston Buriensis', a monk of Bury St Edmunds (said to have fl. c. 1410) (ff. 1, 159);
White vine initial 'Q'(uam) at the beginning of De officiis. Part 1: original foliation. Ends with a table of contents (ff. 87v-89) Large white vine initials in colours at the beginning of each book (ff. 1, 38v, 61). Coloured
White vine initial 'Q'(uemadmodum) in colours at the beginning of the book. Part 1: original foliation. Ends with a table of contents (ff. 87v-89) Large white vine initials in colours at the beginning of each book (ff. 1, 38v,