of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716) for historical purposes. Drawings and printed book fragments from the volume were transferred to
and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left
and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left
and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left
Sheldonian, '1697', but 1698?), II, no. 6563(?).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 258.Charles
Sheldonian, '1697', but 1698?), II, no. 6563(?).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 258.Charles
Sheldonian, '1697', but 1698?), II, no. 6563(?).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 258.Charles
Sheldonian, '1697', but 1698?), II, no. 6563(?).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 258.Charles
Sheldonian, '1697', but 1698?), II, no. 6563(?).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 258.Charles
Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs
Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a
of John on Patmos, at the beginning of his Gospel. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v). Miniatures added to a Book of Hours Unidentified
names of the months and emblems for the occupations of the months, surrounded by figures of John the Baptist with Agnus Dei, top left, John the Evangelist with cup and dragon, top right, Cosmas with urine file, lower left, and
of John on Patmos, decorated initial 'I'(n) and full foliate borders, at the beginning of the Gospel Lessons. 18 full-page miniatures with large decorated initials and full foliate borders, in colours and gold (ff. 13, 14v, 16, 17v, 26, 46v,
of pope John XII, with a partial border, at the beginning of chapter 7 of book 9. Contains the second translation of De casibus virorum illustrium of Boccaccio made by Laurent de Premierfait in 1409, and dedicated to Jean, duke
the imprisonment of John of France, with a partial border, at the beginning of chapter 27 of book 9. Contains the second translation of De casibus virorum illustrium of Boccaccio made by Laurent de Premierfait in 1409, and dedicated to
of John on Patmos with his eagle flying away with the pencase and the inkwell, decorated initial 'I'(n) and foliate borders, at the beginning of the Gospel Lessons. 13 full-page miniatures mostly with large decorated initials and full foliate borders,
Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing. The most remarkable example of a book of devotion that may show signs of having received that devotion in
Print with the Virgin nursing the Child. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490.
Pages painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It