• Historiated initial 'D'(eus) with a man sitting up in bed, gesturing to the sun, and on the bar border, a stork, rabbit, and a centaur shooting at a bird, at the beginning of Prime in the Hours of the Holy Spirit., Book of Hours, including Hours of the Holy Spirit and of the Passion

159, 159v).A circular heraldic bookplate ? has been removed from f. [6b] v.Thomas Rodd the younger (b. 1796, d. 1849), London bookseller; purchased from him by the British Museum on 9 December 1848 using the Farnborough Fund (£3,000 bequeathed in

• Historiated initial 'C'(onverte) with two men preparing beds, the dark blue background and a lamp with a red flame setting the scene at night, at the beginning of the Hours of the Virgin, the beginning of the prayers for Compline., Book of Hours, including Hours of the Holy Spirit and of the Passion

159, 159v).A circular heraldic bookplate ? has been removed from f. [6b] v.Thomas Rodd the younger (b. 1796, d. 1849), London bookseller; purchased from him by the British Museum on 9 December 1848 using the Farnborough Fund (£3,000 bequeathed in

• Historiated initial 'D'(ilexi) with a scene of a funeral service, with a rabbit, hybrid creatures, and a centaur shooting an arrow on the upper bar border, at the beginning of the Office of the Dead., Book of Hours, including Hours of the Holy Spirit and of the Passion

159, 159v).A circular heraldic bookplate ? has been removed from f. [6b] v.Thomas Rodd the younger (b. 1796, d. 1849), London bookseller; purchased from him by the British Museum on 9 December 1848 using the Farnborough Fund (£3,000 bequeathed in

• Historiated initial 'D'(eus) of three clerics kneeling before an altar, with the Holy Spirit in the form of a dove above, and a hybrid creature in the margin, at the beginning of Terce in the Hours of the Holy Spirit., Book of Hours, including Hours of the Holy Spirit and of the Passion

159, 159v).A circular heraldic bookplate ? has been removed from f. [6b] v.Thomas Rodd the younger (b. 1796, d. 1849), London bookseller; purchased from him by the British Museum on 9 December 1848 using the Farnborough Fund (£3,000 bequeathed in

• Miniature of the earth in a circle, with personifications of the four cardinal points., Tractatus de sphaera (index De sphera); Hippocras, De Contemptu Mundi; Astronomical treatises, etc.

National Biography~ (Oxford: Oxford University Press, 2004) [http://www.oxforddnb.com/view/article/12020, accessed 10 Feb 2006]. Thomas Rodd the younger (b. 1796, d. 1849), London bookseller; bought from him by the British Museum on 13 August 1840 for £2, along with 32 other manuscripts

• Diagram of the earth, sun, and moon., Tractatus de sphaera (index De sphera); Hippocras, De Contemptu Mundi; Astronomical treatises, etc.

National Biography~ (Oxford: Oxford University Press, 2004) [http://www.oxforddnb.com/view/article/12020, accessed 10 Feb 2006]. Thomas Rodd the younger (b. 1796, d. 1849), London bookseller; bought from him by the British Museum on 13 August 1840 for £2, along with 32 other manuscripts

• Detail of an historiated initial 'H'(ec) of God giving the Tablets of the Law to Moses, at the beginning of Exodus., Genesis and Exodus, with the Glossa ordinaria

blue. Running titles and chapter numbers in red and blue. Genesis and Exodus, with the Glossa ordinaria The Dominican convent, London, founded after 1221, perhaps given by an unidentified countess: inscription on the former 18th-century binding, probably copied from a

• Detail of an historiated initial 'H'(ec) of God giving the Tablets of the Law to Moses with a running title 'Exodus' and an instruction for the running title, at the beginning of Exodus., Genesis and Exodus, with the Glossa ordinaria

blue. Running titles and chapter numbers in red and blue. Genesis and Exodus, with the Glossa ordinaria The Dominican convent, London, founded after 1221, perhaps given by an unidentified countess: inscription on the former 18th-century binding, probably copied from a

• Text page in Genesis., Genesis and Exodus, with the Glossa ordinaria

blue. Running titles and chapter numbers in red and blue. Genesis and Exodus, with the Glossa ordinaria The Dominican convent, London, founded after 1221, perhaps given by an unidentified countess: inscription on the former 18th-century binding, probably copied from a

• Historiated initial 'I'(n principio) with eight roundels, of the Days of Creation and the Crucifixion, with a full bar border containing birds and animals, at the beginning of Genesis., Genesis and Exodus, with the Glossa ordinaria

blue. Running titles and chapter numbers in red and blue. Genesis and Exodus, with the Glossa ordinaria The Dominican convent, London, founded after 1221, perhaps given by an unidentified countess: inscription on the former 18th-century binding, probably copied from a

• Flourished initial., Contra Maximinum, Contra Pascentium, De Trinitate, Contra Felicianum

Methodist minister and scholar: inscribed 'N.^o^ VII. of Dr. Adam Clarke's collection (see Catalogue of his MSS. by his son, London 1835' (3rd flyleaf [f. 1*]); his sale, 21 May 1838, lot 27 (see notes).Barnes & Son: their catalogue 1836,

• Text page with rubric, 'Cum divina tua mens et numen ('When your Highness's divine mind and power')., On Architecture (De architectura)

a library in Düsseldorf: bought the entire Graevius library in 1703 (Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Text page., On Architecture (De architectura)

a library in Düsseldorf: bought the entire Graevius library in 1703 (Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Text page., On Architecture (De architectura)

a library in Düsseldorf: bought the entire Graevius library in 1703 (Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Text page., On Architecture (De architectura)

a library in Düsseldorf: bought the entire Graevius library in 1703 (Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Text page., On Architecture (De architectura)

a library in Düsseldorf: bought the entire Graevius library in 1703 (Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Text page., On Architecture (De architectura)

a library in Düsseldorf: bought the entire Graevius library in 1703 (Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Text page., On Architecture (De architectura)

a library in Düsseldorf: bought the entire Graevius library in 1703 (Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Text page., On Architecture (De architectura)

a library in Düsseldorf: bought the entire Graevius library in 1703 (Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Text page at the end of the second book and the beginning of the third., On Architecture (De architectura)

a library in Düsseldorf: bought the entire Graevius library in 1703 (Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought