• Miniature of Richard II being delivered to the citizens of London., La Prinse et mort du roy Richart (Book of the Capture and Death of King Richard II) (index Histoire rimée de Richard II, The Capture and Death of king Richard, Account of the Fall of Richard II, The Chronicle of Jean Creton)

delivered to the citizens of London. Illustrated by the Virgil Master (fl. in Paris, c. 1309-1420).Jean Creton (fl. 1386–1420), historian and poet. This work was commissioned between November 1401 and March 1402 by Philip the Bold, duke of Burgundy. On

• Historiated initial 'Q' of Peter, with the descender of the letter composed of a foliate extension of acanthus leaves (centre)., Cutting from a Gradual (sanctorale)

four-line staves visible through the gold of the initial matches those of the initials at the Victoria and Albert Museum, London, which have been identified as belonging to two volumes of a Temporale from the lost San Michele Graduals: MS

• Micrography and decorated ~parashah~ sign at the beginning of ~parashat Noah~ (Gen. 6:9-11:32)., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at Genesis 10., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at Genesis 15., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at Genesis 22-23., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at Genesis 24., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at Genesis 38-39., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography and decorated word ~hazaq~ at the end of Genesis., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at Exodus 7., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at the beginning of ~parashat Bo~ (Exodus 10:1-13:16)., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at Genesis 15., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Detail of a miniature of the dance of Mirth and Gladness., Roman de la Rose

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Historiated initial 'E'(dwardus) of Edward III enthroned giving a charter to the kneeling Black Prince, at the beginning of a collection of documents relating to Black Prince's principality of Aquitaine., Collection of treaties

king of France, all bearing the date 24 October 1360, with the ratification by king John of the treaty in London in 1362, followed by the oath of the four dukes, Louis d'Anjou, Philip of Orleans, Jean of Berry, and

• Historiated initial 'I'(ohan) of John II the Good, king of France, with a shield bearing the royal arms of France in the margin, at the beginning of the collection of documents relating to the Peace of Brétigny., Collection of treaties

king of France, all bearing the date 24 October 1360, with the ratification by king John of the treaty in London in 1362, followed by the oath of the four dukes, Louis d'Anjou, Philip of Orleans, Jean of Berry, and

• Calendar page for March with a man trimming vines (labour of the month), a ram (Aries), David's harp, and saints Chad and Gregory., Almanac with an astrological miscellany

of Corne so ever that it be' ( ~A Catalogue of the Harleian Manuscripts in the British Museum~, 4 vols (London: Eyre and Strahan, 1808-12), II (1808), no. 2332. 12 calendar pages, one opening for each month, with tinted drawings

• Calendar page for March with tinted drawings of saints Edward, Cuthbert, a blessing hand (Benedict), and a fleur-de-lis (for the feast of the Annunciation)., Almanac with an astrological miscellany

of Corne so ever that it be' ( ~A Catalogue of the Harleian Manuscripts in the British Museum~, 4 vols (London: Eyre and Strahan, 1808-12), II (1808), no. 2332. 12 calendar pages, one opening for each month, with tinted drawings

• Calendar page for April with tinted drawings of saints Tiburtius and Valerianus, George, Wilfrid, and Mark., Almanac with an astrological miscellany

of Corne so ever that it be' ( ~A Catalogue of the Harleian Manuscripts in the British Museum~, 4 vols (London: Eyre and Strahan, 1808-12), II (1808), no. 2332. 12 calendar pages, one opening for each month, with tinted drawings

• Circular diagram with the symbols of the zodiac., Almanac with an astrological miscellany

of Corne so ever that it be' ( ~A Catalogue of the Harleian Manuscripts in the British Museum~, 4 vols (London: Eyre and Strahan, 1808-12), II (1808), no. 2332. 12 calendar pages, one opening for each month, with tinted drawings

• Tinted drawing of Zodiac Man., Almanac with an astrological miscellany

of Corne so ever that it be' ( ~A Catalogue of the Harleian Manuscripts in the British Museum~, 4 vols (London: Eyre and Strahan, 1808-12), II (1808), no. 2332. 12 calendar pages, one opening for each month, with tinted drawings