• Diagram, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Diagram, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Coloured drawing as part of a longer series, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Coloured drawing as part of a longer series, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Coloured drawing as part of a longer series, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Coloured drawing as part of a longer series, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Puzzle initial 'V'(estra) with pen-flourishing, at the beginning of Pseudo-Boethius's De disciplina scholarium., De disciplina scholarium, with glosses

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.6.23’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Puzzle initial 'U'(sque) with penwork decoration, and part of the border decoration around the two columns, at the beginning of Johannes de Hesdinio's Commentarius amplissimus in librum Job., Commentarius amplissimus in librum Job

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Initial 'C'(um) with pen-flourishing, at the beginning of Johannes Halgrinus de Abbatisvilla's Sermones de tempore per annum., Sermones de tempore per annum

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIV.7.1’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Ownership inscription of the Cistercian monastery of Eberbach in the lower margin., Sermones de tempore per annum

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIV.7.1’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Puzzle initial 'P'(rima), at the beginning of the second volume of Ludolphus de Saxonia's Vita Christi., Vita Christi (pars II)

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIV.6.3’, f. ii).Purchased by the British Museum from the Royal Society of London together with

• Detail of a drawing of a pope and two women., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• null, Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of puzzle initial., Bible with prologues, and Interpretation of Hebrew names (ff. 488-525v)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 4).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Decorated initials, line fillers, and a partial trompe l'oeil border with a bee., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

City Museum and Art Gallery, No. K 2407, Nativity, London Victoria and Albert Museum, No. E. 949-2003, Adoration of the Magi, the Musée du Louvre, No. RF 53030, Flight into Egypt, London, Private Collection, and Louis XII in Prayer, Presentation

• Decorated initials, line fillers, and partial trompe l'oeil borders with flowers and a butterfly., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

City Museum and Art Gallery, No. K 2407, Nativity, London Victoria and Albert Museum, No. E. 949-2003, Adoration of the Magi, the Musée du Louvre, No. RF 53030, Flight into Egypt, London, Private Collection, and Louis XII in Prayer, Presentation

• Decorated initials, line fillers, and a partial trompe l'oeil border of flowers., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

City Museum and Art Gallery, No. K 2407, Nativity, London Victoria and Albert Museum, No. E. 949-2003, Adoration of the Magi, the Musée du Louvre, No. RF 53030, Flight into Egypt, London, Private Collection, and Louis XII in Prayer, Presentation

• Decorated initials, line fillers, and a partial trompe l'oeil border, with a butterfly and a ladybug., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

City Museum and Art Gallery, No. K 2407, Nativity, London Victoria and Albert Museum, No. E. 949-2003, Adoration of the Magi, the Musée du Louvre, No. RF 53030, Flight into Egypt, London, Private Collection, and Louis XII in Prayer, Presentation

• Puzzle initial 'T'(hese), at the beginning of Exodus, and pen-flourished initial 'A'(ftir), at the beginning of chapter 2 of Exodus., Wycliffite Bible, in the later version (from Genesis to Job), with glosses

~Catalogi librorum manuscriptorum Angliae et Hiberniae~, 3 vols (Oxford: Sheldonian, '1697'), II, no 6397.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the list of Theyer's library assessed by William Beveridge and William Jane in 1678, Royal Appendix,

• Historiated initial 'I' of two Creation scenes: the Creation of the Sky and of the Earth. The Creator is represented with two faces., Cutting from a Gradual

the ?figure and Prudence ? / and Pisano south gate of St Giovanni Florence'.Walter Benjamin Tiffin (b. 1795, d. 1877), London art dealer and publisher: purchased from him by the Department of Prints and Drawings of the British Museum on