• Headpiece and decorated initial with a hand., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Zoomorphic initial with a siren., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Foliate and geometric headpiece enclosing the title, and anthropomorphic initial with legs and an arm at beginning of a reading from the Gospel of Luke., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Decorated headpiece and initial., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Text page., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Headpiece with geometric pattern., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Decorated headpiece and initial, and marginal drawing., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Detail of decorated initials., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of decorated initials., Pharsalia

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; its book-plate with the pencil inscription: ‘XV.6.16’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Decorated initial 'X' with an abbreviated form of Christ's name, 'Xpi' at the beginning of Matthew 1.18., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• A frame with five roundels and interlace panels (probably intended for a 'Christ in Majesty' miniature)., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Calendar with manumissions written on the outer edge of the page., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with decorated initial 'N'(ovum)., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Canon tables with decoration., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Canon tables with Bodmin manumissions., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Decorated initials 'IN' with 'I' forming interlace pattern borderat the beginning of Mark's gospel., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Decorated initial 'Q'(uoniam) enclosing a flower at the beginning of Luke's gospel., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with rubric in capitals at the beginning of the Gospel of John., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Detail of the miniature of the Martyrdom of Blaise., Cuttings from a Missal of Clement VII

Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot 115). London, Ford Collection, RF13 (see

• Montage composed of a miniature of the Assumption of the Virgin above the inscription 'Assumpta Est Maria' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and a yoke with motto 'Suave', two prophets in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici device of the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot 115). London, Ford Collection, RF13 (see