• Flourished initials, at the beginning of the Tabula theologie., Tabula theologie

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; with its book-plate, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

• Puzzle initial and flourished initial, at the beginning of the Tabula theologie., Tabula theologie

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; with its book-plate, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

• Diagram and coloured drawing of Tables of Consanguinity and Affinity with a king and a queen, added at the end of the Tabula theologie., Tabula theologie

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; with its book-plate, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

• Coloured drawing of Tables of Consanguinity and Affinity with a king and a queen, added at the end of the Tabula theologie., Tabula theologie

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; with its book-plate, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

• Detail of a white vine initial 'S'(epenumero) and three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of the lower part of a three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of the title, encircled by a wreath and held by two putti., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of decorated initials., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Decorated initial 'X' with an abbreviated form of Christ's name, 'Xpi' at the beginning of Matthew 1.18., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• A frame with five roundels and interlace panels (probably intended for a 'Christ in Majesty' miniature)., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Calendar with manumissions written on the outer edge of the page., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with decorated initial 'N'(ovum)., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Canon tables with decoration., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Canon tables with Bodmin manumissions., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Decorated initials 'IN' with 'I' forming interlace pattern borderat the beginning of Mark's gospel., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Decorated initial 'Q'(uoniam) enclosing a flower at the beginning of Luke's gospel., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with rubric in capitals at the beginning of the Gospel of John., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page., Part of a lectionary

manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6637.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, appraised in 1678 by William Beveridge and

• null, Harmonica

Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7949 (‘Cl. Ptolemaei Harmonicorum Libri tres, cum scholiis ineditis, Graece’): his London sale, 2 March 1789, lot 12855 , bought by Sims for 12s 6d. (At this date, the manuscript was

• Decorated initial 'P'(rincipia), and plain red initial 'P'(aulus); the upper margin with an ownership inscription of Sir John Prise., Commentaria in Epistolas beati Pauli

pp. 1-24, reprinted in N. R. Ker, ~Books, Collectors and Libraries: Studies in the Medieval Heritage~, ed. A. G. Watson (London and Ronceverte, 1985), pp. 471-96; the present manuscript cited with the siglum 'P. 8.'Charles Burney (b. 1757, d. 1817),