is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Illuminated initial London England, S. E. (probably London)
for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Illuminated initial London England, S. E. (probably London)
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in
for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Illuminated initial London England, S. E. (probably London)
for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Illuminated initial London England, S. E. (probably London)
'de Liber sancti Augustini Cante' (f. 1v); see also James 1963 no. 1166.Johannes de London, monk of St Augustine's Abbey, c.1364: inscribed 'Liber Johans de London' and '1364' (f. 1v).Index added, 14th-15th centuries (f. 242).John Dee (b. 1527, d. 1609),
'de Liber sancti Augustini Cante' (f. 1v); see also James 1963 no. 1166.Johannes de London, monk of St Augustine's Abbey, c.1364: inscribed 'Liber Johans de London' and '1364' (f. 1v).Index added, 14th-15th centuries (f. 242).John Dee (b. 1527, d. 1609),
'de Liber sancti Augustini Cante' (f. 1v); see also James 1963 no. 1166.Johannes de London, monk of St Augustine's Abbey, c.1364: inscribed 'Liber Johans de London' and '1364' (f. 1v).Index added, 14th-15th centuries (f. 242).John Dee (b. 1527, d. 1609),
'de Liber sancti Augustini Cante' (f. 1v); see also James 1963 no. 1166.Johannes de London, monk of St Augustine's Abbey, c.1364: inscribed 'Liber Johans de London' and '1364' (f. 1v).Index added, 14th-15th centuries (f. 242).John Dee (b. 1527, d. 1609),
'de Liber sancti Augustini Cante' (f. 1v); see also James 1963 no. 1166.Johannes de London, monk of St Augustine's Abbey, c.1364: inscribed 'Liber Johans de London' and '1364' (f. 1v).Index added, 14th-15th centuries (f. 242).John Dee (b. 1527, d. 1609),