held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 60630, ff. 13-18, 39-42; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The
Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers.Other cuttings possibly from the same Missal are London, Sotheby's, 2 December 1997, lot 83 (former Mr Neil F. Philips, Q. C., Collection); and Vatican City, Biblioteca Apostolica
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his