Detail of a miniature of sheep. This is a 'Second Family' bestiary; see James; Payne p. 15. Numerous (112) miniatures in brown, green, and red, on alternately blue and red backgrounds. Small initials in red. Bestiary Thomas Rawlinson (b. 1681,
physician and collector: inscription 'Bibliotheca Sloaniana' (f. 1).Former shelfmark (?) '5Vh' , and crossed out (ff. 1, 1v). Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Sheep Lombardy
and collector: inscription 'Bibliotheca Sloaniana' (f. 1).Former shelfmark (?) '5Vh' , and crossed out (ff. 1, 1v). Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Boar or
and collector: inscription 'Bibliotheca Sloaniana' (f. 1).Former shelfmark (?) '5Vh' , and crossed out (ff. 1, 1v). Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Plants, sheep,
a landscape with sheep, goats, cattle, sheep-shearing, and milking. 17 miniatures with large historiated or decorated initials and full borders, with all'antica elements including putti, candelabrae, swags, cornucopiae, dolphins, sphinxes, masks, trophies and heraldic decoration, in colours and gold, at
physician and collector: inscription 'Bibliotheca Sloaniana' (f. 1).Former shelfmark (?) '5Vh' , and crossed out (ff. 1, 1v). Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Plant and
tugs on his hood, and a standing man holds a pig by his hind legs, in illustration of Paradiso XXIX. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral,
tugs on his hood, and a standing man holds a pig by his hind legs, in illustration of Paradiso XXIX. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral,
sheep returning home by the advice of the stag, at the beginning of Chapter 9 of Book 2. 1 large decorated initial with foliate extensions into the margins, in colours and gold (f. 1). 73 small miniatures, in colours
is missing. 11 full historiated borders on versos, in colours and gold, in the calendar (ff. 1v-11v). 3 full-page miniatures, in colours and gold (ff. 229, 251, 259). Texts and decoration added to a Book of Hours Letters 'IK' linked
is missing. 11 full historiated borders on versos, in colours and gold, in the calendar (ff. 1v-11v). 3 full-page miniatures, in colours and gold (ff. 229, 251, 259). Texts and decoration added to a Book of Hours Letters 'IK' linked
anchor and shears, the royal arms and Prince of Wales's feathers, dated 1623, and initials NF; anchor andsheep, the arms of London and of the Merchant Taylors' Company, dated 1619, and initials BW; a sun, dated 1625, and initials
by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian,
of a fox, having grown old and setting off on a pilgrimage, refusing the companionship of the watch-dog, the wild ass, the bear, the lion, the peacock, the wolf, the pig,and the mule, and choosing the companionship of the
a sheep in its mouth and a crippled hybrid creature (f. 47v), a man climbing a vine and a hybrid creature wrestling a bear (f. 88v). Numerous initials in gold and colours, some with with tendrils of gold leaves and
Donatian and Rogatian in red (24th May; venerated in Nantes and in the diocese of Meaux), and Fara (7th December, venerated in Faremoutier in Brie), but it includes as well both John and Genevieve (3rd January, f. 1), and the
colours and gold with foliate motifs and a partial border with rinceaux decoration in the outer margin (f. 1). Another large initial in colours and gold and foliate motifs (f. 119). Initials in red and blue with red and black
red and blue ground with a three-sided foliate border (f. 15). Small initials (2 lines) in gold on red and blue grounds with foliate extensions into the margins. Small initials (1 line) and line fillers in gold on red and
a sheep in its mouth and a crippled hybrid creature (f. 47v), a man climbing a vine and a hybrid creature wrestling a bear (f. 88v). Numerous initials in gold and colours, some with with tendrils of gold leaves and
queen of England and Ireland (1553-1558): inscribed, 'Gode saue the most vertuous and no/bull Quene Marys gras, / and send her to injoye the crou[n]ne / of Eynglande longe tyme and spas / her enimys to confunde, and / hutterly