Archiv d’Urbino, 1687, below it oval stamp perhaps of the Archiv (f. 480v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Moses Panzi of Ricanati: inscribed with his name, undated (f. 1).Inscriptions,
Archiv d’Urbino, 1687, below it oval stamp perhaps of the Archiv (f. 480v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Moses Panzi of Ricanati: inscribed with his name, undated (f. 1).Inscriptions,
Detail of a drawing of the Sacrifice of Isaac with Abraham's two servants, the donkey and a dog resting in a field. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On
Archiv d’Urbino, 1687, below it oval stamp perhaps of the Archiv (f. 480v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Moses Panzi of Ricanati: inscribed with his name, undated (f. 1).Inscriptions,
Detail of a page: the Ark of the Covenant with the cherubim. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of
Detail of a page: Temple implements. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of the Washington Haggadah', pp. 36, 42.
Detail of a page: Temple implements. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of the Washington Haggadah', pp. 36, 42.
impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,
impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,
impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,
impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,
impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,
impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,
impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,
impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,
impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,
impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,
Detail of a miniature of David pointing to his mouth, and illuminated initial 'D'(ixi), at the beginning of Psalm 38. The manuscript bears references to the work of the Limbourg brothers, e.g., the Martyrdom of Mark (f. 282v) copies the
Shatt' (f. 130).Thomazine Stourton, wife of William (d. 1523), 5th Baron Stourton: inscription 'Tomysin, Lady Stourton' (ff. 54, 78, 116).Inscription, 16th century: 'George Roceter' (f. 140). Members of the Worth family: entries of the births of 'Morryse Worthe ... 1564',
Shatt' (f. 130).Thomazine Stourton, wife of William (d. 1523), 5th Baron Stourton: inscription 'Tomysin, Lady Stourton' (ff. 54, 78, 116).Inscription, 16th century: 'George Roceter' (f. 140). Members of the Worth family: entries of the births of 'Morryse Worthe ... 1564',