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Detail of a miniature of a siren, depicted as a woman with the tail of a fish, pulling a sailor from a boat by the hair, while another sailor stops his ears to avoid hearing the siren's song, with a
Miniature of elephants, a dragon, and a mandrake. 1 full-page diagram with frame and central roundel in colours and gold (f. 2v). Numerous large miniatures in colours (29 of the aviarium; 24 of the bestiary). 1 large puzzle initial in
Detail of a miniature of a wild ass (onager). 1 full-page diagram with frame and central roundel in colours and gold (f. 2v). Numerous large miniatures in colours (29 of the aviarium; 24 of the bestiary). 1 large puzzle initial
in red, usually with blue penwork decoration or pen-flourishing. Highlighting of letters in red. Aviarium (index Bestiary); Bestiary, in the Dicta Chrysostomi form (index Physiologus) Probably Archbishop George Neville ofYork (d.1476), (see James 1928). Inscription in Greek (f. 1*).Sir
the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th
the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th
the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th
the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th
the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th
Coloured initials with pen-flourished decoration. The volume is a collection of fragments from manuscripts of different date and origin. It was originally part of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the
the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th
the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th
nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Coat of arms Samuel Samuel Solomon ben
the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th
Detail of decorated initials, a copy of a page from Cotton Otho C.V. The calligraphic copies include representations of a harp (f. 68) and a double flageolet (f. 101) (see Augustus Hughes-Hughes, ~Catalogue of Manuscript Music in the British Museum~,
Detail of initial 'M'(arcus) with interlace and bird's head decoration, a copy of a page from Cotton Otho C.V. The calligraphic copies include representations of a harp (f. 68) and a double flageolet (f. 101) (see Augustus Hughes-Hughes, ~Catalogue of
Detail of initial with bird's head decoration, a copy of a page from Cotton Otho C.V. The calligraphic copies include representations of a harp (f. 68) and a double flageolet (f. 101) (see Augustus Hughes-Hughes, ~Catalogue of Manuscript Music in
at the beginning of the Visions of Matilda. A 14th-century translation of the 13th-century Liber Spiritualis Gratiae by the German mystic Mechtild of Hackeborn, a Cistercian nun at Helfta, Saxony.One of thirteen known surviving books signed by Richard III: see
1797, d. 1861), 2nd duke of Buckingham and Chandos; sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the
1797, d. 1861), 2nd duke of Buckingham and Chandos; sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the