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British Library Catalogue of Illuminated Manuscripts
lot 419; bought by Lansdowne for twenty guineas.William Petty (~formerly~ Fitzmaurice) (b. 1737, d. 1805), 2nd earl of Shelburne and 1st marquess of Lansdowne, prime minister: his book-plate (inside upper cover); purchased by the British Museum together with 1244 other
lot 419; bought by Lansdowne for twenty guineas.William Petty (~formerly~ Fitzmaurice) (b. 1737, d. 1805), 2nd earl of Shelburne and 1st marquess of Lansdowne, prime minister: his book-plate (inside upper cover); purchased by the British Museum together with 1244 other
with brown penwork decoration, often in the form of leaves. Small initials in red or blue. Paraphs in red. Highlighting of letters in red. Collection of Franciscan texts, including the life of Francis ff. 70-75v probably written by Brother Thomas
Detail of a miniature of seated kings, showing Edward IV's right to the throne of France. This is the unique copy of the first version of the Chronicle; see Edwards 1987; Gransden 1982 p. 274 n. 174 (there are 16
1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,
1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. October England England, N.
of Matins of the Passion. Musical notation, on four-line red staves (ff. 89-136). Including a calendar (ff. 4-9v), the Hours of the Passion (ff. 10-29), the Penitential Psalms followed by a litany and various prayers (ff. 29v-44v), the Office
1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial and full
1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Opening England England, N.
of Compline of the Passion. Musical notation, on four-line red staves (ff. 89-136). Including a calendar (ff. 4-9v), the Hours of the Passion (ff. 10-29), the Penitential Psalms followed by a litany and various prayers (ff. 29v-44v), the Office
1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial and full
the beginning of Arnold of Bonneval's 'De sex verbis Domini in cruce'; the final design differs from the underdrawing in crayon. Quire marks (in the centre of the lower margin of the verso of the last leaf of the quires)
Two bands decorated with palmettes, at the Song of Moses (Deut. 32). The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v, 155), Micrographical
of the Garter (1450), husband of Jacquetta of Luxembourg (widow of John, duke of Bedford): his erased ownership inscription (f. 31v); emblem of the Garter (see offsets (ff. [v], 15, 15v, 20v, 25v).Henry VII (b. 1457, d. 1509), king
of the Garter (1450), husband of Jacquetta of Luxembourg (widow of John, duke of Bedford): his erased ownership inscription (f. 31v); emblem of the Garter (see offsets (ff. [v], 15, 15v, 20v, 25v).Henry VII (b. 1457, d. 1509), king
of the Garter (1450), husband of Jacquetta of Luxembourg (widow of John, duke of Bedford): his erased ownership inscription (f. 31v); emblem of the Garter (see offsets (ff. [v], 15, 15v, 20v, 25v).Henry VII (b. 1457, d. 1509), king
of the Garter (1450), husband of Jacquetta of Luxembourg (widow of John, duke of Bedford): his erased ownership inscription (f. 31v); emblem of the Garter (see offsets (ff. [v], 15, 15v, 20v, 25v).Henry VII (b. 1457, d. 1509), king
of the Garter (1450), husband of Jacquetta of Luxembourg (widow of John, duke of Bedford): his erased ownership inscription (f. 31v); emblem of the Garter (see offsets (ff. [v], 15, 15v, 20v, 25v).Henry VII (b. 1457, d. 1509), king
of the Garter (1450), husband of Jacquetta of Luxembourg (widow of John, duke of Bedford): his erased ownership inscription (f. 31v); emblem of the Garter (see offsets (ff. [v], 15, 15v, 20v, 25v).Henry VII (b. 1457, d. 1509), king
of the Garter (1450), husband of Jacquetta of Luxembourg (widow of John, duke of Bedford): his erased ownership inscription (f. 31v); emblem of the Garter (see offsets (ff. [v], 15, 15v, 20v, 25v).Henry VII (b. 1457, d. 1509), king