of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Map of Crete Ptolemy (index Claudius Ptolemaeus), translated by Emanuel Chrysoloras and Jacobus Angelus Venice Italy, N. E. (Venice)
Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
?Bragadin family of Venice (azure a cross gules argent). Leaf of a Doge's Commission (index commissione dogale) to a Venetian nobleman, possibly a member of the Bragadin family ?A member of the noble Bragadin family of Venice in the last
an added full foliate border, in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni,
in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni, 16th century: ownership inscription with
in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni, 16th century: ownership inscription with
Machiavelli family quartered with other arms (f. 59). Notes by Paulus Manutius (b. 1512, d. 1574), printer and scholar of Venice (contemporary note, f. 2v, inscription: ‘Pauli Amicorum L(iber)’ (f. 2); the library of the Manutius family dispersed after the
Machiavelli family quartered with other arms (f. 59). Notes by Paulus Manutius (b. 1512, d. 1574), printer and scholar of Venice (contemporary note, f. 2v, inscription: ‘Pauli Amicorum L(iber)’ (f. 2); the library of the Manutius family dispersed after the
and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70 and app. no. 14); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414.Musical notation. 2 historiated
four-line red stave is visible through the illumination. Cutting from an Antiphoner (index antiphonary, antiphonal) 'SS. Pietro e Paolo in Venice' inscribed in a 19th-century hand on the verso of related cutting Cleveland, Cleveland Museum of Art, no. 24.431 (see
Zoomorphic initial 'Q'(uanquam), the tail formed of a winged dragon-like creature; the lower margin with a partial border incorporating the Gonzaga arms, at the beginning of Cicero's Orationes. 1 large zoomorphic initial, in colours and gold, with a partial
Initial 'A'(nimadverti) with foliate decoration at the beginning of Cicero's Pro Cluentio. 1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of
1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v, 137, 142v,
1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v, 137, 142v,
1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v, 137, 142v,
1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v, 137, 142v,
1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v, 137, 142v,
Decorated initial 'C'(um). 1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v,