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327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
collection, in 1762. King George III (b. 1738, d. 1820).Given to the British Museum by King George IV in 1823 as part of the library of King George III. Hieronymus Zane Giovanni Vitale Giovanni Vitale Venice Italy, N. E. (Venice)
art collection, in 1762. King George III (b. 1738, d. 1820).Given to the British Museum by King George IV in 1823 as part of the library of King George III. Cartouche Giovanni Vitale Giovanni Vitale Venice Italy, N. E. (Venice)
Thomas Rodd the younger (b. 1796, d. 1849), London bookseller, 1834, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829). Decorated initial and border Phocas Venice Italy, N. (Venice?)
that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Bitinus, son of Bertolus (colophon on f. 76) Bitinus Marcus Tullius Cicero, Pseudo-Cicero Venice Italy, N. E. (?Venice)
note (f. 359v).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Diagram Heron of Alexandria, Apollodorus of Damascus Venice Italy, N. E. (Venice)
note (f. 359v).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Diagram Heron of Alexandria, Apollodorus of Damascus Venice Italy, N. E. (Venice)
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno