ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
Coloured initials: 'M'(entibus), 'G'(loria), 'P(ater). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion
Coloured initials:'B'(eatus), 'D'(eus), 'I'(ustum). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion Kauffmann
Coloured initials: 'O'(mnipotens), 'I'(n), 'O'(mnipotens), 'I'(n), 'D'(eus). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert:
Coloured initials: 'D'(eus), 'I'(ustus). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion Kauffmann
Coloured initials: 'P'(r[aest]a), 'M'(isit), 'D'(eus). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion
implies Dominican patronage (f. 27).Contents note in 16th-century Gothic cursive script (f. 1v). Richard Edwards: 17th-century inscription 'Rich Edwards' (f. 1). The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with