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Ezra. Headings and some explicits in large capital letters (ff. 1, 3v, 5v, 51, 52, 54v, 97v), some with colours, in yellow, red, or green (ff. 5v, 52, 54v). Large capital letters in brown ink. Added sketch of Christ on
of the book of Job. Headings and some explicits in large capital letters (ff. 1, 3v, 5v, 51, 52, 54v, 97v), some with colours, in yellow, red, or green (ff. 5v, 52, 54v). Large capital letters in brown ink. Added
in brown ink with yellow and red washes, 2 with zoomorphic features of a animal head, or a bird (ff. 1, 3, 4, 24, 51v, 70). Large initials in red, most with yellow and/or red penwork decoration. Highlights in red
colours and gold, with large decorated initials in colours, and usually also in gold, at the beginning of sermons (ff. 1, 3, 21, 26v, 36v, 44v, 54v, 62v, 71v, 119v, 130v, 163v, 168, 189v, 206v, 230v). Small simple initials in
in brown ink with yellow and red washes, 2 with zoomorphic features of a animal head, or a bird (ff. 1, 3, 4, 24, 51v, 70). Large initials in red, most with yellow and/or red penwork decoration. Highlights in red
Henry VIII, after she was created Marquess of Pembroke on 1 September 1532, but before she became queen in March 1533: her heraldic device of an imperial falcon (f. 1); see Carley 2000 and 2004).The Old Royal Library: 1542 Westminster
interlaced with foliage, at the beginning of book 1. Includes Augustine's De civitate Dei preceded by the section relating to it in the Retractationes (f. 5v) and notes on the De civitate Dei by Lanfranc, written by a different but
'Liber de claust[r]o Roffens[i]', and 'S[ecund]a p[ar]s psalt[er]ii s[ecundu]m Aug. Arnulphi p[ri]oris', 14th century (f. 1); included in the Rochester library catalogue of 1122-1123, no. 1 as 'Expositionem eiusdem super psalterium in iii voluminibus'; and in the catalogue of 1202,
bar border including interlace at the beginning of Psalm 1. Beginning with a calendar (ff. 1-5v, lacking the end) including in blue: Judoci (9 Jan.), in gold: Valentini (14 Feb.), Barnabe (11 June), Grimbaldi and his translation (8 July, and
Blue initial with red pen-flourishing. Other simple red initials. Red highlighting of some letters. Cadels. De cognitione verae vitae (ff. 1-39) and other tracts Inscribed 'Carolus dei gracia Angliae Scocie Franc et Hibernii Rex fidei defensor etc.' (f. 106).A
text. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand: see Richards 1988. Large initials with penwork decoration in purple, green, red,
II. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand: see Richards 1988. Large initials with penwork decoration in purple, green, red,
lower edge of the page is a quire signature. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand: see Richards 1988. Large
Wanley, librarian of Robert and Edward Harley, 1st and 2nd earls of Oxford. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand:
the cloister of Rochester Cathedral, and was given by Hubert the precentor. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand: see
horse's head in the lower margin is a doodle by a later reader. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand:
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
Pope Leo I. f. 1 is a paper folio with a description of the contents of the manuscript by Humfrey Wanley, Harley librarian.ff. 126-127 is a parchment bifolio from an earlier manuscript, reused as a flyleaf. 1 large initial in
signatures.Unusual iconography on f. 33v, where one is unsure whether the Deposition or the Nailing to the cross is depicted. 1 large miniature of Gregory the Great writing, inspired by the Holy Spirit, outlined in brown ink, with some yellow