• Marginal drawing of a hybrid., Proposiciones; Errores in grammatica, letter to the Archbishop of Corinth; philosophical, scientific and mathematical treatises.

Marginal drawing of a hybrid. Includes the condemned propositions of Tempier, Bishop of Paris (1270) and Robertus Kilwardby, Archbishop of Canterbury (1270-1277) (f. 2). Initials in blue or red with pen-flourishing in the other colour at the beginning of

• Marginal drawings of human bust pointing the text, a hybrid, a pointing hand, and an animal head., Proposiciones; Errores in grammatica, letter to the Archbishop of Corinth; philosophical, scientific and mathematical treatises.

Marginal drawings of human bust pointing the text, a hybrid, a pointing hand, and an animal head. Includes the condemned propositions of Tempier, Bishop of Paris (1270) and Robertus Kilwardby, Archbishop of Canterbury (1270-1277) (f. 2). Initials in blue

• Marginal drawings of a dragon and of heads of a man and a woman., Proposiciones; Errores in grammatica, letter to the Archbishop of Corinth; philosophical, scientific and mathematical treatises.

Marginal drawings of a dragon and of heads of a man and a woman. Includes the condemned propositions of Tempier, Bishop of Paris (1270) and Robertus Kilwardby, Archbishop of Canterbury (1270-1277) (f. 2). Initials in blue or red with

• Historiated initial 'A'(u commencement) with a Creation scene combined with a full bar border with ivy leaves and a dragon at the beginning of the Chronique de la Creation du monde., Chronique de la création du monde (until 1327)(ff. 3-50v)(index Chronique de la creation du monde); Le chapel des trois fleurs de lis (in verse)(index Le chappel des trois fleurs de lis)(ff. 51-58)

37, 46).Original foliation. Gaps in the original foliation suggest that 2 leaves are missing after ff. 29, 37, and 46.f. 1 is a paper flyleaf and f. 2 is a parchment leaf. Small miniature in colours and gold of Jacques

• Miniature of the Three Holy Women at the Tomb, facing the decorative incipit page for the text used to celebrate Easter mass., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '20 die Januarii 1721/22' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Historiated initial 'O', which introduces the text for the feast of Ulrich, patron saint of Augsburg Cathedral, with a bust-length image of the saint in priestly garments., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '20 die Januarii 1721/22' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Large zoomorphic initial 'L'([i]ber) in pen and wash with a dragon swallowing a man, at the beginning of Matthew., Gospels

patterns and a dragon, at the beginning of John (f. 151v). Initials in red, highlighted with yellow and/or green (ff. 1, 5v-6, 7, 58v-60, 93, 94, 150-151v). Small red initials with some pen decoration throughout. Red highlights marking Easter passage

• Initials 'R'(es) and 'A'(nno) with penwork decoration, at the beginning of William of Malmesbury's 'Gesta regum Anglorum'., Gesta regum Anglorum (ff. 4-103v); Gesta pontificum Anglorum (ff. 108-167); Henry of Sawtrey's De purgatorio S. Patricii (ff. 167v-175)

Initials 'R'(es) and 'A'(nno) with penwork decoration, at the beginning of William of Malmesbury's 'Gesta regum Anglorum'. Part 2 of this manuscript is Harley 23.Two sets of quire marks (in the centre of the lower margin of the verso

• Tidal wheel showing the thirty-day lunar cycle in correspondence with the tides, with the earth at the centre of the diagram and four circles in the outer corners representing the four moons., A Carolingian miscellany of computational and astronomical texts and tables, including decennovenal (19-year) cycles (ff. 3v-8) a calendar (ff. 22-32v), formulae (ff. 42v-50, 60-65, 66), Egyptian days (ff. 58v-60), Greek and runic alphabets (f. 61), and 'Revelatio Esdrae' (ff. 63-64v)

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley, ‘13 die mensis Augusti, AD 1724’ (f. 1; see Wright and Wright 1966). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694,