• Detail of ownership inscription., Medical miscellany, including John of Gaddesden's Rosa Anglica (ff. 9-262), and four tracts on urine

brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red

• Detail of puzzle initial., Medical miscellany, including John of Gaddesden's Rosa Anglica (ff. 9-262), and four tracts on urine

brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red

• Colophon in column 1., Etymologies; De natura rerum (ff. 154-166), and other short texts

in column 1. f. 168 is a former pastedown. Full page tree of consanguinity with busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large

• Decorated initial 'B'(artolomeus) at the beginning of the interpretations of the Syriac and Hebrew names that occur in the Gospels following the conclusion of the genealogy of Christ (Matthew 1:1-17)., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses

Decorated initial 'B'(artolomeus) at the beginning of the interpretations of the Syriac and Hebrew names that occur in the Gospels following the conclusion of the genealogy of Christ (Matthew 1:1-17). According to Glunz, with marginal and interlinear glosses that

• Upper cover of the ivory binding, with scenes from the life of David., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Lower cover of the ivory binding, with the Six Corporal Works of Mercy listed in Matthew 25:35-36., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper cover of the ivory binding, with David and the lion., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper cover of the ivory binding, with David being anointed by Samuel., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper cover of the ivory binding, with David receiving the sword of Goliath from Ahimelech the priest., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper cover of the ivory binding, with David and Goliath., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper cover of the ivory binding, with David kneeling before an altar., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the lower right hand roundel on the lower cover of the ivory binding, with the act of mercy of visitng the imprisoned, with the inscription: 'In carcere eram et venistis ad me (Matthew 25: 36)., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the lower left hand roundel on the lower cover of the ivory binding, with the act of mercy of visiting the sick, with the inscription: 'infirmus et visitastis me' (Mathew 25: 36)., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the middle left hand roundel on the lower cover of the ivory binding, with the act of mercy of housing the stranger, with the inscription: 'hospes eram et collegistis me' (Mathew 25: 35)., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper left hand roundel on the lower cover of the ivory binding, with the act of mercy of giving food to the hungry, with the inscription: 'Esurivi et dedistis mihi manducare' (Mathew 25: 35)., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of a roundel of the lower cover with the act of mercy of clothing the naked, with the inscription 'nudus et cooperuistis me' (Matthew 25:36)., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper right hand roundel on the lower cover of the ivory binding, with the act of mercy of giving drink to the thirsty, with the inscription: 'Sitivi et dedistis mihi bibere' (Mathew 25: 35)., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Upper cover of the ivory binding, with David and musicians., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Upper cover of the ivory binding, scenes from the life of David., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Text pages, Theological works including De magistro

outline drawings of a face (f. 49v). Text in triangular shape (ff. 70v-72v). Spaces left for rubric and initials (ff. 1, 6v). Theological works including De magistro The Benedictine Abbey of St Augustine, Canterbury (see Bishop 1957 and Dumville 1993,