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  • Literary Manuscripts (327)
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    British Library Catalogue of Illuminated Manuscripts icon

    British Library Catalogue of Illuminated Manuscripts

    327 results from this resource . Displaying 241 to 260

    brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red

    red. Table in red and brown. Martyrology of the abbey of St Bavo, Ghent, imperfect, and portions of services (f. 1); lunar tables (f. 52) The Benedictine abbey of St Bavo, Ghent: numerous entries related to Bavo and Ghent: see

    brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v). Small initials in plain red. Glossed Matthew

    brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v). Small initials in plain red. Glossed Matthew

    monachos. This manuscript is bound together with Arundel 180 with continuous foliation. 1 large initial in green with red penwork decoration (f. 29). Large simple initials in brown ink. De corpore et sanguine Domini (ff. 18-28v); Monita ad monachos (Admonitio

    green (ff. 82, 88v, 97). Spaces for rubrics occasionally left blank. Epistulae and other works Added, ?16th/17th century: pen-flourishing (ff. 1, 2, 17v, 18, 25v, 33, 48, 63v, 78, 88v, 94v), and one line-filler (f. 100v). Richard Jones (d. 1722),

    and Egidi (ff. 86-87). Initials with white foliage on a pale blue, dark blue/green, dark purple and red ground (ff. 1 (damaged), 2v, 3v, 11, 14v, 17v, 20, 21v, 34v, 48, 52, 56, 63, 67v, 73v (with animal heads), 76).

    Inhabited initial 'V'(enerabilis) with animal and human heads, and a fish. The manuscript was mostly the work of one scribe who wrote the 2nd, 4th, and 6th texts, and all but the first page of the 1st, who is

    outline drawings of a face (f. 49v). Text in triangular shape (ff. 70v-72v). Spaces left for rubric and initials (ff. 1, 6v). Theological works including De magistro The Benedictine Abbey of St Augustine, Canterbury (see Bishop 1957 and Dumville 1993,

    outline drawings of a face (f. 49v). Text in triangular shape (ff. 70v-72v). Spaces left for rubric and initials (ff. 1, 6v). Theological works including De magistro The Benedictine Abbey of St Augustine, Canterbury (see Bishop 1957 and Dumville 1993,

    outline drawings of a face (f. 49v). Text in triangular shape (ff. 70v-72v). Spaces left for rubric and initials (ff. 1, 6v). Theological works including De magistro The Benedictine Abbey of St Augustine, Canterbury (see Bishop 1957 and Dumville 1993,

    outline drawings of a face (f. 49v). Text in triangular shape (ff. 70v-72v). Spaces left for rubric and initials (ff. 1, 6v). Theological works including De magistro The Benedictine Abbey of St Augustine, Canterbury (see Bishop 1957 and Dumville 1993,

    'R'(icordare), and an illuminated border. f. 1 is a paper flyleafContains various arms and names, including those of Cosimo de Medici, Duke of Florence (ff. 11v, 17v) and his wife, Eleanora of Toledo (f. 18), Henry II of France and

    Henry Fitzalan, lord Maltravers, son of the 12th earl of Arundel, and of Petrucchio Ubaldini. f. 1 is a paper flyleafContains various arms and names, including those of Cosimo de Medici, Duke of Florence (ff. 11v, 17v) and his wife,

    'I'(l) and an illuminated border. f. 1 is a paper flyleafContains various arms and names, including those of Cosimo de Medici, Duke of Florence (ff. 11v, 17v) and his wife, Eleanora of Toledo (f. 18), Henry II of France and

    border with the name and emblem of Daniel Barbaro. f. 1 is a paper flyleafContains various arms and names, including those of Cosimo de Medici, Duke of Florence (ff. 11v, 17v) and his wife, Eleanora of Toledo (f. 18), Henry

    Initial 'D' with zoomorphic and interlace decoration. At the end of the De laudibus virginitatis are two hexameters from a metrical proverb on the copyist's labours:'Tres digiti scribunt totum corpusque laboratScribere qui nescit nullum putat esse laborem'These lines are

    Initial 'E' with penwork decoration. At the end of the De laudibus virginitatis are two hexameters from a metrical proverb on the copyist's labours:'Tres digiti scribunt totum corpusque laboratScribere qui nescit nullum putat esse laborem'These lines are also found

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    "Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 10 July 2024), https://www.manuscriptsonline.org/search/results?ac=f&ct=lm&kw=1&sdf=1149&sdt=1149&sr=ci&st=240