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script, 15th century, perhaps by Jean Lebègue. 2 large initials in gold with red, blue, and green foliate decoration (ff. 1, 53). 2 similar large foliate initials in blue, red, and green (ff. 21, 59v). Small initials alternately red with
large gold initials with foliate decoration in colours on a blue wash background (f. 7, 54v, 100v, 114v) at Psalms 1, 51, 101, and 109. Large initials in red, blue, yellow, or green, most with foliate and other patterned decoration
large gold initials with foliate decoration in colours on a blue wash background (f. 7, 54v, 100v, 114v) at Psalms 1, 51, 101, and 109. Large initials in red, blue, yellow, or green, most with foliate and other patterned decoration
script, 15th century, perhaps by Jean Lebègue. 2 large initials in gold with red, blue, and green foliate decoration (ff. 1, 53). 2 similar large foliate initials in blue, red, and green (ff. 21, 59v). Small initials alternately red with
of a decorated initial-word panel at the beginning of 1 Kings. Unfoliated blank leaves after ff. 12 (ff. [12a], [12b]), 448.Hebrew foliation from f. 13 starting with alef, that is, 1 until f. 124 (Hebrew fol. 113). Hebrew foliation restarts
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
99v). 6 large zoomorphic or historiated initials in colours (ff. 77v, 80v, 81, 85, 92v, 93v). 1 very large initial in red (f. 153). 1 smaller initial in red (f. 105v). 4 large initials in red and/or blue (ff. 100v,
99v). 6 large zoomorphic or historiated initials in colours (ff. 77v, 80v, 81, 85, 92v, 93v). 1 very large initial in red (f. 153). 1 smaller initial in red (f. 105v). 4 large initials in red and/or blue (ff. 100v,
Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other
of Doge Franciscus Molino. 1 full-page miniature, in colours and gold (f. 3), preceeded by a printed version of the composition (f. 2v). Chrysography. Display script. Commission of Doge Franciscus Molino to Giovanni Semitecolo Giovanni Semitecolo: his appointment, inscribed 'Nos
Boston 'Boston Buriensis', a monk of Bury St Edmunds (said to have fl. c. 1410) (ff. 1, 159); early 15th-century inscription 'Johannes Bury' (f. 1 and f. iii (the back cover)), . ? Sir Nicholas Bacon, the Lord Keeper: Redgrave
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero
title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in half. f. 99* is a parchment strip with added 17th-century letters 'PAS'.ff. 145v-146 are blank.Part 1 was originally bound with Cotton Nero