• Eight roundels with biblical scenes and moralisations., Bible moralisée (section of the Oxford-Paris-London Bible moralisée), containing 1 Maccabees 1:57-2 Maccabees 14:46

1 to the Bodleian Library (now Bodley MS 270b).William Innys, bookseller, Prince's Arms, St Paul's Churchyard, owned until 1711: receipt signed 'Wm Innys' to John Kemp for payment for manuscripts for £40 dated 30 June 1711 (pasted onto f.

• Detail of a miniature of the priests of the temple wrongfully handing over their treasure to Heliodorus, illustrating 2 Maccabees 3., Bible moralisée (section of the Oxford-Paris-London Bible moralisée), containing 1 Maccabees 1:57-2 Maccabees 14:46

1 to the Bodleian Library (now Bodley MS 270b).William Innys, bookseller, Prince's Arms, St Paul's Churchyard, owned until 1711: receipt signed 'Wm Innys' to John Kemp for payment for manuscripts for £40 dated 30 June 1711 (pasted onto f.

• Detail of a miniature of Troilus taking leave of Cressida, with Trojans at the gate behind., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Priam and his court mourning over the body of Hector., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of Troilus at battle; miniature of Troilus being slain by Achilles., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Historiated initial 'V'(ir) of Job with his wife and friends, at the beginning of Job., Job with the Glossa ordinaria

and bifolium signatures (ff. 119-311). 1 historiated initial in colours and, at the beginning of Job (f. 3). 1 foliate initial in colours and gold, at the beginning of the prologue to Job (f. 1).1 large puzzle initials with

• Detail of a miniature of king Adrastus reconciling Polynices and Tydeus., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of king Adrastus reconciling Polynices and Tydeus., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Eteocles receiving Tydeus., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Jocasta's embassy to Adrastus., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Greek women journeying to Thebes., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Theseus burning the dead., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Michael driving Lucifer and the other fallen angels from heaven., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Foliate initial 'C'(ogor) at the beginning of the prologue to Job., Job with the Glossa ordinaria

and bifolium signatures (ff. 119-311). 1 historiated initial in colours and, at the beginning of Job (f. 3). 1 foliate initial in colours and gold, at the beginning of the prologue to Job (f. 1).1 large puzzle initials with

• Beginning of the genealogy text, with the beginning of a genealogical tree., Miscellany including works on heraldry and genealogy, a bestiary and book of birds, historical annals of St David's and Llandaff, an English translation of Christine de Pisan's the Epistle of Othea to Hector (Epistre de Othea) (ff. 67-91v), and the Prophecy of Merlin (ff. 92-93v)

Beginning of the genealogy text, with the beginning of a genealogical tree. ff. 94-95 added in the 16th century. Drawings of heraldic shields in colours (ff. 1-6). Sketches in brown ink of heraldic beasts, including a swan, a bear,

• Detail of an historiated initial 'V'(erba) depicting Amos with a scroll, at the beginning of Amos., Bible (the 'Worms Bible') (index Frankenthal Bible), Genesis to Job

[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes

• Detail of a decorated initial 'O' with clasps, at the beginning of Amos., Bible (the 'Worms Bible') (index Frankenthal Bible), Genesis to Job

[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes

• Detail of an historiated initial 'E'(t) with a standing figure of Ezekiel with a scroll with foliate interlace and clasps at the beginning of Ezekiel., Bible (the 'Worms Bible') (index Frankenthal Bible), Genesis to Job

[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes

• Detail of a decorated initial 'I'(ezechiel), at the beginning of the prologue to Ezekiel., Bible (the 'Worms Bible') (index Frankenthal Bible), Genesis to Job

[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes

• Detail of a marginal drawing of a man impaled on an upright sword., Bible (the 'Worms Bible') (index Frankenthal Bible), Genesis to Job

[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes