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British Library Catalogue of Illuminated Manuscripts
Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XII.6.20’, inside upper cover).Purchased by the British Museum from the Royal Society of
Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XII.6.20’, inside upper cover).Purchased by the British Museum from the Royal Society of
Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XII.6.20’, inside upper cover).Purchased by the British Museum from the Royal Society of
'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork decoration, and foliate
'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork decoration, and foliate
is the earliest richly illuminated manuscript with fairly definite evidence of having been made in Oxford, according to Morgan 1982. 1 half-page miniature at the beginning of a prayer to the Holy Face, or Veronica image, in colours and gold
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
medieval red ink 'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork
is the earliest richly illuminated manuscript with fairly definite evidence of having been made in Oxford, according to Morgan 1982. 1 half-page miniature at the beginning of a prayer to the Holy Face, or Veronica image, in colours and gold
Medieval lists of the contents of the volume, and shelfmark. Small and large initials in red or green, sometime with foliate or geometric penwork decoration in the same and/or the other colour (e.g., ff. 2, 6, 7v); some with
Initial 'R'(everentissimo) at the beginning of Pseudo-Alcuin's (Adalbertus of Metz) Speculum. Small and large initials in red or green, sometime with foliate or geometric penwork decoration in the same and/or the other colour (e.g., ff. 2, 6, 7v); some
Initial 'Q'(ui) with an animal's head in the bowl of the letter. Small and large initials in red or green, sometime with foliate or geometric penwork decoration in the same and/or the other colour (e.g., ff. 2, 6, 7v);
134); and another list of popes ends with Innocent IV (1243-54) (f. 117v) (see Watson).Includes the punctus flexus punctuation mark. 1 large miniature in brown ink and red, green and blue (f. 16v). 10 large marginal or interlinear drawings in
134); and another list of popes ends with Innocent IV (1243-54) (f. 117v) (see Watson).Includes the punctus flexus punctuation mark. 1 large miniature in brown ink and red, green and blue (f. 16v). 10 large marginal or interlinear drawings in