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shape of a heart affixed to the lower inside cover; f. vi is the pastedown on the lower inside cover. 1 full-page miniature in colours of the Crucifixion (f. 14v). 2 large historiated initials in colours (ff. 14, 62). 8
shape of a heart affixed to the lower inside cover; f. vi is the pastedown on the lower inside cover. 1 full-page miniature in colours of the Crucifixion (f. 14v). 2 large historiated initials in colours (ff. 14, 62). 8
shape of a heart affixed to the lower inside cover; f. vi is the pastedown on the lower inside cover. 1 full-page miniature in colours of the Crucifixion (f. 14v). 2 large historiated initials in colours (ff. 14, 62). 8
shape of a heart affixed to the lower inside cover; f. vi is the pastedown on the lower inside cover. 1 full-page miniature in colours of the Crucifixion (f. 14v). 2 large historiated initials in colours (ff. 14, 62). 8
shape of a heart affixed to the lower inside cover; f. vi is the pastedown on the lower inside cover. 1 full-page miniature in colours of the Crucifixion (f. 14v). 2 large historiated initials in colours (ff. 14, 62). 8
shape of a heart affixed to the lower inside cover; f. vi is the pastedown on the lower inside cover. 1 full-page miniature in colours of the Crucifixion (f. 14v). 2 large historiated initials in colours (ff. 14, 62). 8
shape of a heart affixed to the lower inside cover; f. vi is the pastedown on the lower inside cover. 1 full-page miniature in colours of the Crucifixion (f. 14v). 2 large historiated initials in colours (ff. 14, 62). 8
Historiated initial 'F'(rater) of Jerome dressed as a monk, at the beginning of his letter to Ambrose. Pfändtner's early 1st style.The version of Psalms in this manuscript is the sole complete witness so far identified of a translation prepared
Historiated initial 'I'(n) with scenes from Creation, held by a caryatid, at the beginning of Genesis. Pfändtner's early 1st style.The version of Psalms in this manuscript is the sole complete witness so far identified of a translation prepared by
Historiated initial 'B'(eatus) with David with a harp and Christ blessing, at the beginning of Psalms. Pfändtner's early 1st style.The version of Psalms in this manuscript is the sole complete witness so far identified of a translation prepared by
Historiated initial 'D'(ixit) with Christ blessing at the beginning of Psalm 109. Pfändtner's early 1st style.The version of Psalms in this manuscript is the sole complete witness so far identified of a translation prepared by Nicholas Maniacoria (d. 1145),
Historiated initial L'(iber) of the Tree of Jesse at the beginning of Matthew. Pfändtner's early 1st style.The version of Psalms in this manuscript is the sole complete witness so far identified of a translation prepared by Nicholas Maniacoria (d.
Decorated initials 'P' at the beginning of Philemon. Pfändtner's early 1st style.The version of Psalms in this manuscript is the sole complete witness so far identified of a translation prepared by Nicholas Maniacoria (d. 1145), based on the Hebrew
134); and another list of popes ends with Innocent IV (1243-54) (f. 117v) (see Watson).Includes the punctus flexus punctuation mark. 1 large miniature in brown ink and red, green and blue (f. 16v). 10 large marginal or interlinear drawings in
134); and another list of popes ends with Innocent IV (1243-54) (f. 117v) (see Watson).Includes the punctus flexus punctuation mark. 1 large miniature in brown ink and red, green and blue (f. 16v). 10 large marginal or interlinear drawings in
134); and another list of popes ends with Innocent IV (1243-54) (f. 117v) (see Watson).Includes the punctus flexus punctuation mark. 1 large miniature in brown ink and red, green and blue (f. 16v). 10 large marginal or interlinear drawings in
134); and another list of popes ends with Innocent IV (1243-54) (f. 117v) (see Watson).Includes the punctus flexus punctuation mark. 1 large miniature in brown ink and red, green and blue (f. 16v). 10 large marginal or interlinear drawings in
134); and another list of popes ends with Innocent IV (1243-54) (f. 117v) (see Watson).Includes the punctus flexus punctuation mark. 1 large miniature in brown ink and red, green and blue (f. 16v). 10 large marginal or interlinear drawings in
134); and another list of popes ends with Innocent IV (1243-54) (f. 117v) (see Watson).Includes the punctus flexus punctuation mark. 1 large miniature in brown ink and red, green and blue (f. 16v). 10 large marginal or interlinear drawings in
134); and another list of popes ends with Innocent IV (1243-54) (f. 117v) (see Watson).Includes the punctus flexus punctuation mark. 1 large miniature in brown ink and red, green and blue (f. 16v). 10 large marginal or interlinear drawings in