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in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
formerly foliated by the number of the guard on which they are mounted, as f. 1. They can be found referred to in publications by this number. To see these cuttings in the Manuscripts Reading Room order Add. 29902. Cambridge,
formerly foliated by the number of the guard on which they are mounted, as f. 1. They can be found referred to in publications by this number. To see these cuttings in the Manuscripts Reading Room order Add. 29902. Cambridge,
Italian cuttings.The present cuttings were formerly foliated by the number of the guard on which they are mounted, as f. 1. They can be found referred to in publications by this number. To see these cuttings in the Manuscripts Reading
patron of the arts: inscribed as usual by their librarian, Humfrey Wanley '13 die Mensis Augusti, A. D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
patron of the arts: inscribed as usual by their librarian, Humfrey Wanley '13 die Mensis Augusti, A. D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
of Christ, at the reading for the feast of the Circumcision on 1 January. 46 large historiated initials, with three-sided or partial foliate borders, in colours and gold (ff. 16v, 20v, 23v, 25v, 27v, 40, 87, 109, 121, 125v, 128,
Germanus, at the beginning of the reading for 28 May and 1 August. 46 large historiated initials, with three-sided or partial foliate borders, in colours and gold (ff. 16v, 20v, 23v, 25v, 27v, 40, 87, 109, 121, 125v, 128, 130,
his imprisonment at the beginning of the reading for 28 May and 1 August, with a partial bar border including a peasant. 46 large historiated initials, with three-sided or partial foliate borders, in colours and gold (ff. 16v, 20v, 23v,
or in red with blue penwork decoration, at the canon of the mass (ff. 115v-116). 1 large initial in blue with penwork decoration (f. 1). Large initials in red, green, or blue, some with penwork decoration, 3 with decoration in
leaf from a late 13th century English Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. 1 large historiated initial with partial bar borders with leaves, in colours and gold. Small initials in red with blue
partial bar border, at the reading for the feast of the Circumcision on 1 January. 46 large historiated initials, with three-sided or partial foliate borders, in colours and gold (ff. 16v, 20v, 23v, 25v, 27v, 40, 87, 109, 121, 125v,