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many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The
many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The
many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The
many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The
many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The
many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The
many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The
many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The
patron of the arts: inscribed as usual by their librarian, Humfrey Wanley '13 die Mensis Augusti, A. D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '11 die Martii, A. D. 1723/4' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border
in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border
17 lots were purchased subsequently for £2 9s. 6d. (Egerton MSS 710-730). 2 full-page miniatures, in colours and gold (ff. 1, 2). Genealogy, in colours and gold (f. 50). 11 large historiated initials, in colours and gold (ff. 2v, 3,
17 lots were purchased subsequently for £2 9s. 6d. (Egerton MSS 710-730). 2 full-page miniatures, in colours and gold (ff. 1, 2). Genealogy, in colours and gold (f. 50). 11 large historiated initials, in colours and gold (ff. 2v, 3,
first leaves are missing and the text starts with Proverbs 4: 2, and 1 folio is missing at the beginning of the New Testament (before f. 245) and the text starts with Mathew 2: 12.Catchwords, quire and bifolium signatures. Numerous
de berbis et / vois d'ange'. Two first leaves are missing and the text starts with Proverbs 4: 2, and 1 folio is missing at the beginning of the New Testament (before f. 245) and the text starts with Mathew
Two first leaves are missing and the text starts with Proverbs 4: 2, and 1 folio is missing at the beginning of the New Testament (before f. 245) and the text starts with Mathew 2: 12.Catchwords, quire and bifolium signatures.
Two first leaves are missing and the text starts with Proverbs 4: 2, and 1 folio is missing at the beginning of the New Testament (before f. 245) and the text starts with Mathew 2: 12.Catchwords, quire and bifolium signatures.
ff. 107 and 108 watermarked with an image of Britannia? in an oval medallion topped by a crown. Evidence that a book-plate has been removed (inside front cover). For another manuscript owned by Palmer see Burney 2; and for
ff. 107 and 108 watermarked with an image of Britannia? in an oval medallion topped by a crown. Evidence that a book-plate has been removed (inside front cover). For another manuscript owned by Palmer see Burney 2; and for