Orchard Halliwell-[Phillipps] (b. 1820, d. 1889), antiquary and literary scholar: his ink stamp 'Bibliotheca Halliwellana' (ff. 1, 84v) and shelfmark 'No. 65' (f. 1); catalogued for sale, 27 June 1840, lot 132, but withdrawn, along with the other manuscripts, all
Orchard Halliwell-[Phillipps] (b. 1820, d. 1889), antiquary and literary scholar: his ink stamp 'Bibliotheca Halliwellana' (ff. 1, 84v) and shelfmark 'No. 65' (f. 1); catalogued for sale, 27 June 1840, lot 132, but withdrawn, along with the other manuscripts, all
Orchard Halliwell-[Phillipps] (b. 1820, d. 1889), antiquary and literary scholar: his ink stamp 'Bibliotheca Halliwellana' (ff. 1, 84v) and shelfmark 'No. 65' (f. 1); catalogued for sale, 27 June 1840, lot 132, but withdrawn, along with the other manuscripts, all
Orchard Halliwell-[Phillipps] (b. 1820, d. 1889), antiquary and literary scholar: his ink stamp 'Bibliotheca Halliwellana' (ff. 1, 84v) and shelfmark 'No. 65' (f. 1); catalogued for sale, 27 June 1840, lot 132, but withdrawn, along with the other manuscripts, all
Orchard Halliwell-[Phillipps] (b. 1820, d. 1889), antiquary and literary scholar: his ink stamp 'Bibliotheca Halliwellana' (ff. 1, 84v) and shelfmark 'No. 65' (f. 1); catalogued for sale, 27 June 1840, lot 132, but withdrawn, along with the other manuscripts, all
Orchard Halliwell-[Phillipps] (b. 1820, d. 1889), antiquary and literary scholar: his ink stamp 'Bibliotheca Halliwellana' (ff. 1, 84v) and shelfmark 'No. 65' (f. 1); catalogued for sale, 27 June 1840, lot 132, but withdrawn, along with the other manuscripts, all
Orchard Halliwell-[Phillipps] (b. 1820, d. 1889), antiquary and literary scholar: his ink stamp 'Bibliotheca Halliwellana' (ff. 1, 84v) and shelfmark 'No. 65' (f. 1); catalogued for sale, 27 June 1840, lot 132, but withdrawn, along with the other manuscripts, all
cardinal and a scholar (Innocent IV?) dictating to a scribe, at the beginning of book 1. According to unpublished notes of Susan L'Engle, decorated in two phases; phase I: c. 1310-1319 by Nerio (ff. 75v, 139, 179v, 187v); and phase
I and 5 D III (see Waller 1980, p. 314). Instructions for rubrics in the lower margins. 1 historiated initial of Ambrose and 1 containing griffins, in colours, at the beginnings of works of Ambrose and Ivo of Chartres (ff.
Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours
Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours
Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours
Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours
twelve stars, standing before a rainbow issuing from a building, in illustration of Revelation 12: 1. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in
Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours
Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours
Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours
initial is by the same artist, Nerio, and probably from the same manuscripts as Add. 32058, ff. 1 (a)-(b), and 2 (a).Musical notation. 1 historiated initial 'V' of the Poisoning of John the Evangelist, with four men kneeling before the
Jean de Meun for Jean de Brienne in 1284.Stylistically close to Vegetius, ~De re militari~, Vatican Library, Reg. lat. 1628. 1 half-page miniature in colours on a gold diapered ground (f. 3). Partial bar borders in blue and red with
de Meun for Jean de Brienne in 1284.Stylistically close to Vegetius, ~De re militari~, Vatican Library, Reg. lat. 1628. 1 half-page miniature in colours on a gold diapered ground (f. 3). Partial bar borders in blue and red with initials