• Scholia before Dionysius Periegetes's Orbis descriptio, with a life of Dionysios and diagrams of the twelve winds., Orbis descriptio, with preceding scholia

(f. 1). Small red initials, some with foliate decoration. Brown and red diagrams, with foliate decoration (ff. 41v, 42). Small coloured marginal diagram (f. 48v). Orbis descriptio, with preceding scholia Marcos Mamuna and George Count of Corinth (inscriptions, ff. 1,

• Decorated headpiece and brown initial 'K'(ai), in the Apophthegemata Patrum., Apophthegemata Patrum, of 'Sabaite type'

profuse 17th century annotations added throughout.Emmanouel Kallonas (second half of the 17th century inscription, vol. 1, f. 1).Partial Greek inscription dated 2 March 1681 (vol. 1, f. 1).Richard Mead (b. 1673, d. 1754), physician and collector of books and art:

• Decorated braided headpiece and decorated initial at the beginning of the Apophthegemata Patrum., Apophthegemata Patrum, of 'Sabaite type'

profuse 17th century annotations added throughout.Emmanouel Kallonas (second half of the 17th century inscription, vol. 1, f. 1).Partial Greek inscription dated 2 March 1681 (vol. 1, f. 1).Richard Mead (b. 1673, d. 1754), physician and collector of books and art:

• Decorated initial with anthropomorphic design., Gospel Lectionary

and gold with animals, birds, and/or floral and foliate motifs (ff. 1, 67, 104, 144, 202v, 234, 246, 274, 281, 298v, 313, 320v, 325v, 328v, 332, 340, 344, 353). 1 very large initial in colours and gold (f. 289v). Major

• Evangelist portrait of Matthew as a scribe, in colours and gold., Gospel Lectionary

and gold with animals, birds, and/or floral and foliate motifs (ff. 1, 67, 104, 144, 202v, 234, 246, 274, 281, 298v, 313, 320v, 325v, 328v, 332, 340, 344, 353). 1 very large initial in colours and gold (f. 289v). Major

• Incipit with red infill, in the Council of Gangra., Dionisio-Hadriana

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIII.6.9’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Text page with a passage from the life of the nun Anna the Younger, whao was renamed Euphemianus., Synaxarion (Lives of Saints) for September, October, and November

Jesuits from 1591 to 1762: inscribed, 17th century, 'Collegii Agenen. Soc. Jesu Cat. Insc.' (f. 1, upper margin); 'Collegii Agen Societ. Jesu Catal. Ins.' (f. 1, lower margin).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl

• Headpiece with geometric and foliate decoration and inscribed with title in coloured display capitals, and decorated initial 'T'., Gospel Lectionary, imperfect

capitals, and decorated initial 'T'. Missing leaves at the beginning and after ff. 1, 23, 36, 135, 197, 219.Pericopes arranged according to the ecclesiastical calendar. Headpieces with geometric and foliate decoration in gold or silver and colours and inscribed with

• Coloured initials at the beginning of Psalm 61; text in Greek, Latin and Arabic., Trilingual Psalter

of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red (f. 1, 99v). Large and small initials in red, some with penwork decoration, one with a face (f. 158). Trilingual Psalter

• Coloured initial at the beginning of Psalm 87., Trilingual Psalter

of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red (f. 1, 99v). Large and small initials in red, some with penwork decoration, one with a face (f. 158). Trilingual Psalter

• Coloured initials., Trilingual Psalter

of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red (f. 1, 99v). Large and small initials in red, some with penwork decoration, one with a face (f. 158). Trilingual Psalter

• Two-page bas-de-page scene of jousting with lades watching., Guiron le Courtois (index Palamedes, Meliadus)

during a speech by the Chevalier sans peur to Meliadus. The attribution to Hélie de Borron in this manuscript (f. 1) is doubtful. The text was composed between 1235 and c.1240.The miniatures, by several Neapolitan artists with French influence, were

• Detail of a miniature of kings playing a board game., Guiron le Courtois (index Palamedes, Meliadus)

during a speech by the Chevalier sans peur to Meliadus. The attribution to Hélie de Borron in this manuscript (f. 1) is doubtful. The text was composed between 1235 and c.1240.The miniatures, by several Neapolitan artists with French influence, were

• Calendar page for January, with marginal scenes, including the water carrier, Aquarius., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• Double-page with a historiated initial 'A'(d) with a monkey standing on a dog, and full borders, in the Book of Hours., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• Miniature of the Flight into Egypt, with an historiated initial 'D'(eus) of a mourner, and a bas-de-page scene of the Entombment of Christ, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),