• Detail of a miniature of an angel casting the beast and the false prophet into the lake of fire, from Revelation 19:20-21., Apocalypse (Revelation)

mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours and gold (f. 1). 69 large and small miniatures, in colours and gold (ff. 2 (x2),

• Two-page bas-de-page scene of jousting with lades watching., Guiron le Courtois (index Palamedes, Meliadus)

during a speech by the Chevalier sans peur to Meliadus. The attribution to Hélie de Borron in this manuscript (f. 1) is doubtful. The text was composed between 1235 and c.1240.The miniatures, by several Neapolitan artists with French influence, were

• Detail of a miniature of kings playing a board game., Guiron le Courtois (index Palamedes, Meliadus)

during a speech by the Chevalier sans peur to Meliadus. The attribution to Hélie de Borron in this manuscript (f. 1) is doubtful. The text was composed between 1235 and c.1240.The miniatures, by several Neapolitan artists with French influence, were

• Miniature depicting God in heaven telling Moses (with horns), Aaron (a bishop with crozier and mitre), and an attendant, all standing before an altar, to instruct the Children of Israel in proper forms of sacrifice. Illuminated initial 'A'(pres) begins Leviticus Chapter One. Decoration extends into a partial border. Instructions to the artist are found at the lower part of the folio., Old Testament (index Bible)

red, blue and gold, for major text divisions (ff. 1, 30, 53v, 71, 93, 116, 130, 149v, 152v, 178v, 203, 229v, 255, 274v, 289, 296v, 307v, 311, 319, 329, 339, 370v); 1 (large?) miniature missing before f. 2. Decorated initials

• Initial 'N'(ow) with pen-flourished decoration., 'Handlyng Synne' (f. 1); 'Medytacyouns of the soper of oure Lorde' (ff. 84-91v); King Robert's romance in couplets (ff. 92-95)

with penwork decoration in purple (ff. 1, 20v, 57, 63, 75). Initials in blue with pen-flourished decoration in red. Rubrics and marking of verse couplets in red. Initials highlighted in red. 'Handlyng Synne' (f. 1); 'Medytacyouns of the soper of

• Historiated initial 'R'(egnante) with Christ and a dragon., Excerpts from the Textus Roffensis (facsimile on parchment)

Rochester; bearing the date 4 kal. Maias, indictione 7 (see Harley Catalogue). 1 large hisitoriated initial 'R'(egnante) with Christ and a dragon. Display script in various colours (ff. 1, 8). Large plain initials in various colours (ff. 2, 4v, 6).

• Historiated initial 'R' of the Annunciation in a mosaic-like frame., Cutting from a Gradual (Sanctorale)

Add. 35254A-G. Musical notation. 1 historiated initial 'R' in colours and gold, of the Annunciation in a mosaic-like frame, introducing the introit to the Mass for the feast of the Annunciation (25 March). On the reverse, 1 small filgree initial

• Calendar page for January, with marginal scenes, including the water carrier, Aquarius., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• Double-page with a historiated initial 'A'(d) with a monkey standing on a dog, and full borders, in the Book of Hours., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• Miniature of the Flight into Egypt, with an historiated initial 'D'(eus) of a mourner, and a bas-de-page scene of the Entombment of Christ, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),