• Decorated initials 'P'(lacita) with a monk's head in the record of rents from Bradestret., St Albans register of properties

Abbates exempti Monasterii Sancti Albani', and '. . . a domino Thomas: Ramryge: abbas: monasterii: Sancti: Albani R. Blakene[s?]' (f. 1) (Ramryge was abbot 1492-1521).English 16th-century inscription 'By me Thomas marles [his?] bocke witnes by Edward Stretcham by Robarte hatene(?),

• Decorated initial 'D'(ixi) with pen-flourishing, incorporating a human head, in the Psalms., Psalms, with commentary ('Rolle of Hampole's Psalter') (ends imperfectly), preceded by a calendar (ff. 1v-7) and a homily on patience and humility (ff. 8-9)

in the empty bowl of the initials. Empty spaces for initials filled with 2 sketches of initials (ff. 230, 230v). 1 large initial in red with brown penwork decoration (f. 8). Large initials in red or blue with red foliate

• Illuminated initials 'N'(unc) and 'I'(ncipit), with foliate extensions., Compendium litterale totius Scripture

lat. 1196, Longleat House 24, and Oxford, Bodleian Library, Bodl. Auct. F. inf. 1.1, associated with John Whetehamstede, abbot of St. Albans.Catchwords and bifolium signatures. 1 miniature in colours and gold, of the author preaching, with a full border,

• Detail of a miniature of Petrus Aureoli, Archbishop of Aix, preaching from the pulpit inscribed on the front with words 'quis ascendit in montem', with Christ enthroned on the mountain above him, at the beginning of the text., Compendium litterale totius Scripture

lat. 1196, Longleat House 24, and Oxford, Bodleian Library, Bodl. Auct. F. inf. 1.1, associated with John Whetehamstede, abbot of St. Albans.Catchwords and bifolium signatures. 1 miniature in colours and gold, of the author preaching, with a full border,

• Miniature of Petrus Aureoli, Archbishop of Aix, preaching from the pulpit inscribed on the front with words 'quis ascendit in montem', with Christ enthroned on the mountain above him, with a full border and a shield with cross, crown of thorns, and crossed lance and sponge, at the beginning of the text., Compendium litterale totius Scripture

lat. 1196, Longleat House 24, and Oxford, Bodleian Library, Bodl. Auct. F. inf. 1.1, associated with John Whetehamstede, abbot of St. Albans.Catchwords and bifolium signatures. 1 miniature in colours and gold, of the author preaching, with a full border,

• Miniatures of a portcullis and an initial 'T'(enor) in the form of half-Tudor rose, half-pomegranate, with a partial trompe l'oeil border., Book of 28 motets

badges of a portcullis adopted by Henry VIII and the Tudor rose, with Katherine's badge of a pomegranate (ff. 2v-3).[f. 1 only: Henry Fitzalan, 12th earl of Arundel (b. 1512, d. 1580), magnate, or his father William Fitzalan, 11th earl

• Text pages with musical notation., Book of 28 motets

badges of a portcullis adopted by Henry VIII and the Tudor rose, with Katherine's badge of a pomegranate (ff. 2v-3).[f. 1 only: Henry Fitzalan, 12th earl of Arundel (b. 1512, d. 1580), magnate, or his father William Fitzalan, 11th earl

• Historiated initial 'A'(ve) with the Virgin and Child and a kneeling man, and as part of the lower border, a monk with a shield and sword fighting a dragon., Musical miscellany

Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts

• Historiated initial 'H'(omo) with the Crucifixion and a kneeling woman, and one-sided border., Musical miscellany

Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts

• Historiated initial 'Q'(uisquis) with standing figures and a dragon forming the tail of the letter., Musical miscellany

Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts

• Illuminated initial 'V'(eritas) with a man standing on a dragon spearing an owl., Musical miscellany

Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts

• Illuminated initial 'B'(ulla) with foliate decoration., Musical miscellany

Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts

• Historiated initial 'A' with a standing Catherine, and the letter formed by an animal body and head., Musical miscellany

Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts