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beginning of Ruffus Sextus's Pio perpetuo valentiniano. 1 large pen-drawing, partly with coloured wash (f. 2v). 1 large white-vine initial and a partial foliate border including arms, in colours and gold (f. 3). 1 large white-vine initial with foliate extensions
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with
in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with
in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with
in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with
in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with
is a change of scribe at f. 64; the first uses quire signatures, the second uses catchwords. 1 large zoomorphic initial (f. 7v). 1 small iniital with zoomorphic features (f. 2). Added marginal drawings, 13th century (ff. 6v, 20, 85v,
'P'(rincipio), at the beginning of the volume, and, in the upper margin, two ownership inscriptions. 1 large puzzle initial with red penwork and flourishing (f. 1). Other large intiials in blue with red pen-flourishing, or red with pink pen-flourishing. Epitome
Andria, executed in red ink with a brown ink geometric pattern in the bowl. 1 large red initial decorated with black ink in the bowl (f. 1). Other large and small mostly very plain red initials. Andria, Eunuchus, Heautontimorumenos, Adelphi,
century with a similar decorated border. 2 miniatures and foliate borders in gold and colours at the beginning of Psalms 1 and 77 (ff. 3, 93v). Simple gold headpieces. Large gold initials and gold display script (chrysography). Psalter (ff. 3-186v);
holding a cup. Musical notation. 1 bas-de page image of two animals and a red heart with an arrow through it (f. 20). 1 initial with a hybrid figure in red and blue (f. 30). 1 initial in red and
1 large puzzle initial with red penwork and flourishing (f. 1). Other large intiials in blue with red pen-flourishing, or red with pink pen-flourishing. Epitome historiarum Pompeii Trogi Annotated in humanistic hands, occasionally in Greek, second half of the 15th
1 large red initial decorated with black ink in the bowl (f. 1). Other large and small mostly very plain red initials. Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment) Formerly bound with Burney 137, 272, and 352, which have similar
1 large puzzle initial with red penwork and flourishing (f. 1). Other large intiials in blue with red pen-flourishing, or red with pink pen-flourishing. Epitome historiarum Pompeii Trogi Annotated in humanistic hands, occasionally in Greek, second half of the 15th
with a similar decorated border. 2 miniatures and foliate borders in gold and colours at the beginning of Psalms 1 and 77 (ff. 3, 93v). Simple gold headpieces. Large gold initials and gold display script (chrysography). Psalter (ff. 3-186v); Odes
with a similar decorated border. 2 miniatures and foliate borders in gold and colours at the beginning of Psalms 1 and 77 (ff. 3, 93v). Simple gold headpieces. Large gold initials and gold display script (chrysography). Psalter (ff. 3-186v); Odes
1 large initial in blue and light yellow with foliate decoration, and a lower border of vines and flowers, executed in pen (f. 1). The rest of the manuscript is without illumination but with spaces and guide letters left for
1 large initial in blue and light yellow with foliate decoration, and a lower border of vines and flowers, executed in pen (f. 1). The rest of the manuscript is without illumination but with spaces and guide letters left for
holding a cup. Musical notation. 1 bas-de page image of two animals and a red heart with an arrow through it (f. 20). 1 initial with a hybrid figure in red and blue (f. 30). 1 initial in red and