• Detail of a miniature of the Annunciation., Book of Hours, Use of Beaune?

for the Hours of the Virgin after Matins (ff. 32, 41v, 46, 49v, 52v, 55v, 61v).Later addition of 1 full- and 1 half-page miniatures at the end of the texts (ff. 21v, 65v), and of 5 small miniatures which were

• Detail of a miniature of David in penitence., Book of Hours, Use of Beaune?

for the Hours of the Virgin after Matins (ff. 32, 41v, 46, 49v, 52v, 55v, 61v).Later addition of 1 full- and 1 half-page miniatures at the end of the texts (ff. 21v, 65v), and of 5 small miniatures which were

• Detail of an illuminated initial., Book of Hours, Use of Beaune?

for the Hours of the Virgin after Matins (ff. 32, 41v, 46, 49v, 52v, 55v, 61v).Later addition of 1 full- and 1 half-page miniatures at the end of the texts (ff. 21v, 65v), and of 5 small miniatures which were

• Decorated table of contents; Inhabited initial 'I'(nvestigatam), and a partial border including medaillons, and heraldic arms supported by putti in the lower margin, at the beginning of Boethius's De Sancta Trinitate., Opera omnia

putti in the lower margin, at the beginning of Boethius's De Sancta Trinitate. Vol. 1: Decorated table of contents, in colours and gold (f. 1v). 1 large inhabited initial, accompanied by a partial foliate border including medaillons, and arms supported

• Decorated initial 'M'(aiores), at the beginning of Boethius's super Cicero's Topica., Opera omnia

Decorated initial 'M'(aiores), at the beginning of Boethius's super Cicero's Topica. Vol. 1: Decorated table of contents, in colours and gold (f. 1v). 1 large inhabited initial, accompanied by a partial foliate border including medaillons, and arms supported by putti

• Detail of illuminated title page., Opera omnia

Detail of illuminated title page. Vol. 1: Decorated table of contents, in colours and gold (f. 1v). 1 large inhabited initial, accompanied by a partial foliate border including medaillons, and arms supported by putti in the lower margin, in colours

• Detail of illuminated initial and border., Opera omnia

Detail of illuminated initial and border. Vol. 1: Decorated table of contents, in colours and gold (f. 1v). 1 large inhabited initial, accompanied by a partial foliate border including medaillons, and arms supported by putti in the lower margin, in

• Detail of Medici arms., Opera omnia

Detail of Medici arms. Vol. 1: Decorated table of contents, in colours and gold (f. 1v). 1 large inhabited initial, accompanied by a partial foliate border including medaillons, and arms supported by putti in the lower margin, in colours and

• Detail of illuminated initial., Opera omnia

Detail of illuminated initial. Vol. 1: Decorated table of contents, in colours and gold (f. 1v). 1 large inhabited initial, accompanied by a partial foliate border including medaillons, and arms supported by putti in the lower margin, in colours and

• Detail of decorated initial., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v, 17v, 19, 21, 26v) and other designs

• null, Psalter

University of Glasgow, Hunter MSS 405, 475. Foliate headpiece (f. 1) and other simple headpiece. Large red initials with penwork decoration, the first also with black and yellow (f. 1). Psalter Written by Matthaios, hieromonk of the monastery of St

• Miniatures of the Tree of Jesse and the Annunciation, and decorated initial 'D'(omine), at the beginning of the Hours of the Virgin., Book of Hours, Use of Beaune?

for the Hours of the Virgin after Matins (ff. 32, 41v, 46, 49v, 52v, 55v, 61v).Later addition of 1 full- and 1 half-page miniatures at the end of the texts (ff. 21v, 65v), and of 5 small miniatures which were

• Miniature of David in penitence, and decorated initial 'D'(omine), at the beginning of the Penitential Psalms., Book of Hours, Use of Beaune?

for the Hours of the Virgin after Matins (ff. 32, 41v, 46, 49v, 52v, 55v, 61v).Later addition of 1 full- and 1 half-page miniatures at the end of the texts (ff. 21v, 65v), and of 5 small miniatures which were

• Detail of text and diagram., Opera omnia

Detail of text and diagram. Vol. 1: Decorated table of contents, in colours and gold (f. 1v). 1 large inhabited initial, accompanied by a partial foliate border including medaillons, and arms supported by putti in the lower margin, in colours

• Detail of a miniature of the Castle of Love, with the lover addressing three women., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Detail of a miniature of a prince and his council, and a prince hearing mass., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Detail of arms with a rose supported between a white greyhound and a red dragon, from the bottom border of the folio., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Detail of a miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,

• Miniature of a view of London with the Tower Bridge and the Tower of London with duke Charles inside writing his poems, with a full border containing the royal arms of England surmounted by a crown and supported by two white lions, and a foliate initial 'D'(es nouvelles), introducing the poem Des nouvelles d'Albyon., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,