Detail of headpiece. f. 20r-v formerly used as a pastedown.Old pagination on ff. 1-18v of 481-516.ff. 1-18 were formerly gatherings 31-33 of a larger volume. Headpiece decorated with geometric patterns in colours and gold. Large gold and blue initial
forms. Contemporary title, f. 1. Large initials in red, blue, green or yellow, many with foliate or geometric decoration, and 7 with penwork decoration in another colour (ff. 50v, 60, 69, 112v, 119, 146v, 157); 1 with a cross (f.
Ambrose). Contemporary title, f. 1. Large initials in red, blue, green or yellow, many with foliate or geometric decoration, and 7 with penwork decoration in another colour (ff. 50v, 60, 69, 112v, 119, 146v, 157); 1 with a cross (f.
Decorated initial and border. 1 large decorated foliate initial with a full foliate border including medaillons with the lion of Venice, a bishop, and heraldic arms in front of a landscape with a rabbit (f. 1). Commission from Leonardo Loredan,
xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)
xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)
Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert
Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert
Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert
Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)
the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords
the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords
the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords
the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords