• Decorated initials 'S'(epius), 'F'(undamentum), and 'G'(loriose)., Elucidarium (ff. 1-30), pious verses in Provençal (f. 30), Papal bull of Boniface VIII, dated 1300 (f. 30v)

auzem dir' (ff. 30-30v). 1 large initial in red and blue with red and blue penwork decoration (f. 1). 4 smaller initials in red with blue penwork decoration or in blue with red penwork decoration (ff. 1 (x 2), 10v,

• Historiated initial 'V'., Bible (The 'Montpellier Bible') (Genesis to Malachi)

1, 5 may be later additions of the middle or 3rd quarter of the 12th century: see Cahn 1996; Avril 1983. Large historiated or decorated initials in colours and sometimes gold at the beginning of prefaces and books (ff.

• Historiated initial 'I' with scenes from Creation, at the beginning of Genesis., Bible (The 'Montpellier Bible') (Genesis to Malachi)

1, 5 may be later additions of the middle or 3rd quarter of the 12th century: see Cahn 1996; Avril 1983. Large historiated or decorated initials in colours and sometimes gold at the beginning of prefaces and books (ff.

• Detail of an historiated initial 'O' of a man holding a book, presumably Habakkak with interlace, at the beginning of Habakkak., Bible (The 'Montpellier Bible') (Genesis to Malachi)

1, 5 may be later additions of the middle or 3rd quarter of the 12th century: see Cahn 1996; Avril 1983. Large historiated or decorated initials in colours and sometimes gold at the beginning of prefaces and books (ff.

• Decorated initial ''Q'(uanta) at the beginning of a collection of Seneca's letters., Letters, some extracts

17 lots were purchased subsequently for £2 9s. 6d (Egerton 710-730). Large initial in blue with red penwork decoration (f. 1). Large plain initials in red, blue or green, a few with penwork decoration in one other colour (e.g. ff.

• Coloured initial 'Q'(uare), from Psalm 1., Psalter ('The Camaldoli Psalter'), with partial gloss (index The Fontebuono Psalter)

Coloured initial 'Q'(uare), from Psalm 1.1 large full-page miniature, in colours and gold (f. 178). 1 large decorated full-page initial, in colours and gold (f. 9v). Large and smaller decorated initials with white vine ornament, geometric and figural decoration,

• Inhabited vine-stem initial 'B'(eatus), with a naked man amongst foliage, at the beginning of Psalm 1., Psalter ('The Camaldoli Psalter'), with partial gloss (index The Fontebuono Psalter)

vine-stem initial 'B'(eatus), with a naked man amongst foliage, at the beginning of Psalm 1.1 large full-page miniature, in colours and gold (f. 178). 1 large decorated full-page initial, in colours and gold (f. 9v). Large and smaller decorated

• Decorated initial 'P'(receptis), and the Pinelli number '7899' in the upper left-hand corner., Historia adversus paganos (ff. 1-68v), and an anonymous compilation of Old Testament history (ff. 69-73v)

Decorated initial 'P'(receptis), and the Pinelli number '7899' in the upper left-hand corner. 1 large puzzle initial (f. 1). Small initials alternately blue with red penwork decoration, or vice versa. Historia adversus paganos (ff. 1-68v), and an anonymous compilation of

• Decorated initials 'N'(eminem) and 'R'(ex); the lower margin with a note stating that from the creation of the world (5199 years before the birth of Christ) to the present is 6,434 years., Historia adversus paganos (ff. 1-68v), and an anonymous compilation of Old Testament history (ff. 69-73v)

creation of the world (5199 years before the birth of Christ) to the present is 6,434 years. 1 large puzzle initial (f. 1). Small initials alternately blue with red penwork decoration, or vice versa. Historia adversus paganos (ff. 1-68v), and

• Zoomorphic initial 'S'(cribere) in the form of a dragon, at the beginning of Seneca's De clementia; with an erased inscription in the upper margin., De clementia (ff. 1-9), and other short texts

the Celestine monastery of Ste-Croix d’Offémont is Paris, Bibliothèque nationale de France, lat. 10898. 1 large zoomorphic initial in red, green, silver, and gold (f. 1). 4 large foliate initials (ff. 6v, 17, 25v, 64v), and simpler initials, in red,

• Decorated initial 'U'(t) at the start of Book 2 of Seneca's De clementia, and a decorative run-over symbol in the lower margin., De clementia (ff. 1-9), and other short texts

the Celestine monastery of Ste-Croix d’Offémont is Paris, Bibliothèque nationale de France, lat. 10898. 1 large zoomorphic initial in red, green, silver, and gold (f. 1). 4 large foliate initials (ff. 6v, 17, 25v, 64v), and simpler initials, in red,

• Initial 'I'(n) in the form of a dragon, and 'B'(eatus) with two bishops with crosiers, the lower with a closed book;and the ownership inscription: 'Liber Sancte Trinitatis de Kirkham' in the lower margin., Lections for feasts of saints, including Vita Gregorii, the life of St Augustine; Nativitate St Maria, Vita Edwardi regis (one chapter), and other texts

pp. 74-77. 1 historiated initial of two bishops in green, red, and brown on a blue ground (f. 1). 2 large initials with animals or animals heads in red, green, and brown, or also with blue (ff. 1, 18v). Simple

• initial 'P'(etisa) and three pairs of busts men and women, labelled Ioachim and Anna, Ioseph and Sancte Maria, and Alpheus and [Mary] Cleophe., Lections for feasts of saints, including Vita Gregorii, the life of St Augustine; Nativitate St Maria, Vita Edwardi regis (one chapter), and other texts

pp. 74-77. 1 historiated initial of two bishops in green, red, and brown on a blue ground (f. 1). 2 large initials with animals or animals heads in red, green, and brown, or also with blue (ff. 1, 18v). Simple

• Marginal drawing of Mary and Christ, the latter blessing and holding a closed book, with the inscription: 'Christum virgo pia genuit sine morte Maria'., Theological miscellany, including Sententiae

the last gathering. 1 large initial in red and yellow with foliate decoration, damaged (f. 1). Simple initials in red (most oxidised) or brown, some in both colours. 1 marginal drawing (f. 8v). Line fillers in red. 1 large leadpoint

• null, De clementia (ff. 1-9), and other short texts

the Celestine monastery of Ste-Croix d’Offémont is Paris, Bibliothèque nationale de France, lat. 10898. 1 large zoomorphic initial in red, green, silver, and gold (f. 1). 4 large foliate initials (ff. 6v, 17, 25v, 64v), and simpler initials, in red,

• null, De clementia (ff. 1-9), and other short texts

the Celestine monastery of Ste-Croix d’Offémont is Paris, Bibliothèque nationale de France, lat. 10898. 1 large zoomorphic initial in red, green, silver, and gold (f. 1). 4 large foliate initials (ff. 6v, 17, 25v, 64v), and simpler initials, in red,

• Detail of a coloured initial 'Q'(uare), from Psalm 1., Psalter ('The Camaldoli Psalter'), with partial gloss (index The Fontebuono Psalter)

Detail of a coloured initial 'Q'(uare), from Psalm 1.1 large full-page miniature, in colours and gold (f. 178). 1 large decorated full-page initial, in colours and gold (f. 9v). Large and smaller decorated initials with white vine ornament, geometric

• Detail of an inhabited vine-stem initial 'B'(eatus), with a naked man amongst foliage, at the beginning of Psalm 1., Psalter ('The Camaldoli Psalter'), with partial gloss (index The Fontebuono Psalter)

vine-stem initial 'B'(eatus), with a naked man amongst foliage, at the beginning of Psalm 1.1 large full-page miniature, in colours and gold (f. 178). 1 large decorated full-page initial, in colours and gold (f. 9v). Large and smaller decorated

• Painted drawing of Mystic Paradise, with the Virgin and Child at the centre, flanked by personifications of the virtues and the symbols of the Evangelists, at the beginning of epistle I.2., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing of the Victory of Humility, stabbing Pride, in the centre, flanked by Jael and Judith, at the beginning of epistle IV.2., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur